Top of page

Category: Blues

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Chicago Blues and Jazz: A New Story Map on the Chicago Ethnic Arts Project Collection

Posted by: Michelle Stefano

In May, I wrote about a project that was keeping me busy, and providing a nice escape from the mental confines of my well-worn, Baltimore couch. While I cannot believe it is already August, I am happy to announce that the project is all set and ready to share! Chicago Blues and Jazz: Selections from …

Mississippi John Hurt plays guitar. Behind him at a table sit Rae Korson and Joe Hickerson.

When a song became a road map: the Tom Hoskins collection and Mississippi John Hurt

Posted by: John Fenn

This is a guest post by Marcia Segal, a Processing Archivist at the American Folklife Center. Legendary blues singer Mississippi John Hurt’s song “Avalon Blues” appears on numerous recordings in the Tom Hoskins collection: “…Avalon, my hometown, always on my mind…” Hurt first recorded the song in 1928. In 1963, musician and blues music fan …

“I Didn’t Done the Crime”: Stavin’ Chain’s “Batson” and the Batson Case

Posted by: Stephen Winick

Note: This is the third in a series of posts about the murder ballad “Batson.” This one discusses the version of the ballad performed by Wilson Jones, aka “Stavin’ Chain,” in light of the real-life Batson case. In previous blog posts about the murder ballad “Batson,” I looked at early versions collected by Robert Winslow …

Two men seated, one playing guitar, the other playing fiddle.

“No One Can Ever Forget It”: Stavin’ Chain’s Performance of “Batson”

Posted by: Stephen Winick

Note: This is the second in a series of posts about the murder ballad “Batson.” This one discusses the performance recorded by John A. and Alan Lomax from a trio of musicians including Wilson Jones, a.k.a. Stavin’ Chain, in 1934. A little while back, I presented for the first time anywhere a version of the …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

The Painful Birth of Blues and Jazz

Posted by: Stephanie Hall

One hundred years ago this month, February 26, 1917, what is generally acknowledged as the first recording of jazz was released. “Livery Stable Blues,” performed by the Original Dixieland Jass Band [1] was a best-selling record for Victor, but is a problematic “first” as it is a recording of a white band performing an African …