(from left) Kristian Bush, Charlie Worsham and Jim Collins perform at the Country Music Association Song Writers Series concert in the Coolidge Auditorium. Photo by Shawn Miller.
The Country Music Association and Library of Congress Music Division joined forces again to bring the CMA Songwriters Series to the Library’s historic Coolidge Auditorium. This year’s concert featured Kristian Bush of the hit country duo Sugarland, along with Jim Collins and Charlie Worsham.
Launched in 2005 at Joe’s Pub in New York City, the CMA Songwriters Series gives fans an intimate look at where the hits they love come from. For a decade, the CMA Songwriters Series has been exposing fans across the country and the globe to the artisans who, through their craft, pen hits that touch the lives of millions of music fans. Since it launched at Joe’s Pub, the series has presented more than 75 shows in 13 cities, including Boston, Belfast, Dublin, Los Angeles, Paris, Phoenix, and Washington, D.C.
You can watch last year’s performances here.
Nominated for a record-setting 16 Tony Awards, “Hamilton” the musical swept the ceremony winning 11, including Best Musical, Best Book, Best Original Score and a handful of best actor/actresses. The show is based on the Ron Chernow biography on founding father Alexander Hamilton, which Lin-Manuel Miranda, who wrote the musical, had picked up on a whim […]
The month of May saw the Library of Congress in a variety of headlines. In April, the Library announced that THOMAS.gov, the online legislative information system, will officially retire July 5, completing the multi-year transition to Congress.gov. David Gewirtz for ZDNet Government wrote, “You have to wonder what Thomas Jefferson would have made of the […]
On Tuesday, the Library hosted the American Society of Composers, Authors and Publishers (ASCAP) Foundation for its annual “We Write the Songs” concert, featuring the songwriters performing and telling the stories behind their own music. Featured performances were by Brian McKnight, Monica, Brett James, MoZella, Priscilla Renea, Randy Goodrum, Desmond Child and Pulitzer Prize-winning composer Jennifer Higdon. […]
(The following is an article from the March/April 2016 issue of the Library of Congress Magazine, LCM. You can read the issue in its entirety here.) Music Division Curator Larry Appelbaum highlights items from the Library’s exhibition “Jazz Singers.” BILLIE HOLIDAY No matter how many times I’ve seen this iconic portrait of Ms. Holiday by […]
(The following is an article by Stephen Winick from the March/April 2016 issue of the Library of Congress Magazine, LCM. You can read the issue in its entirety here.) Changes in technology have facilitated global access to the Library’s folklife collections. This year, the Library’s American Folklife Center turns 40. During that time, the world […]
(The following is a guest post by William Kellum, manager in the Library’s Web Services Division.) The Manuscript Division has added two collections to its growing list of Civil War materials now available online. The papers of army officer Philip Henry Sheridan (1831-1888) span the years 1853-1896, although the majority of the material dates from […]
In February, the Library added a host of resources to its offerings, both onsite and online. Early February, the Library debuted a new exhibition on “Jazz Singers,” which offers perspectives on the art of vocal jazz, featuring singers and song stylists from the 1920s to the present. The ArtsBeat blog of the New York Times called […]
(The following is a guest post by Gene DeAnna, head of the recorded sound section in the Library’s Motion Picture, Broadcasting and Recorded Sound Division.) I’m often asked what sound recordings are most at risk of being lost before we are able to preserve them. The fact is, the two-headed monster of physical degradation and […]
(The following is a story written by Mark Hartsell, editor of the Library of Congress staff newsletter, The Gazette.) The human voice is music’s only pure instrument, jazz singer Nina Simone once wrote – it has notes no other instrument possesses. “It’s like being between the keys of a piano,” Simone wrote in a draft […]