Ligeti Split—a Quick Birthday Greeting, with Consequences

Happy Birthday, György Ligeti! The great composer was born this day in 1923, and since his passing in 2006 his music has continued to inspire. The Library of Congress has a special relationship with one of Ligeti’s works in particular: Ramifications for string orchestra or twelve solo strings. Commissioned by the Serge Koussevitzky Music Foundation in the Library of Congress, Ramifications is a fascinating work in which Ligeti creates a unique sound world in a remarkably short span of time.

Scored for a bifurcated ensemble of twelve parts (six in each grouping for the solo-string version, and equitably balanced if performed by a string orchestra), Ramifications is not your typical string serenade. Ligeti split the ensemble into two groups not just physically, but tonally as well. The players in group one are instructed to play a quarter-tone higher than those in group two—actually, Ligeti specified a slightly greater than quarter-tone difference, in order to counteract the tendency of the musicians to meet in the middle.

Ramifications is a classic example of some aspects of Ligeti’s compositional techniques. His writing is hyper-specific—at times he really does indicate 8 against 7 against 5 against 3, and similar specifications—but only in so doing is he able to achieve such controlled washes of sound. Instead of sounding like two highly-differentiated groups, Ligeti’s tuning choices yield a unique super-instrument in which pockets of pitch feel like they have been expanded to meet the needs of the music. While on occasion Ligeti does feature one group or the other, their shared material and similar treatment yields an eerie collective that remains as stirring today as it must have been at its premiere in 1969.

Rodgers & Hammerstein: Cinderella [Video Podcast]

Michael Feinstein on Musicals & Songs at the Library of Congress Series 1 – Rodgers & Hammerstein Episode 4 – Cinderella In the fourth episode of a series of videos that explore the Rodgers and Hammerstein collections at the Library of Congress, Michael Feinstein discusses the impact of their show Cinderella on television, as well […]

Rodgers & Hammerstein: “It Might as Well Be Spring” [Video Podcast]

Michael Feinstein on Musicals & Songs at the Library of Congress Series 1 – Rodgers & Hammerstein Episode 3 – “It Might as Well Be Spring” Revised @ 2:25pm EST on May 21, 2014 to include links to previous episodes In the third episode of a series of videos that explore the Rodgers and Hammerstein […]

Best Buddies, or just Goethe Friends?

Last week on May 7, Brahms and Tchaikovsky shared a birthday—an annual event since Tchaikovsky waltzed into the world in1840, seven years after Brahms. While the composers may not have cared much for one another, at this great historical remove we can appreciate the music of both men without worrying about offending the other camp—there […]

ASCAP at 100: The Library of Congress Celebrates the Centennial of the American Society of Composers, Authors and Publishers

Anne McLean, Senior Concert Producer, contributed to this post. In addition to host and American Society of Composers, Authors and Publishers President Paul Williams, last night’s annual ASCAP concert featured, as always, an intriguing variety of composers: Jon Batiste, Alan Bergman, Josh Kear, Randy Newman, Carly Simon, Narada Michael Walden with Shelea Frazier, Jimmy Webb, and […]

New Webcasts & Video Podcasts

Several new event webcasts and video podcasts have been added to our online portals! Below are some highlights. Stay tuned to In the Muse for the release of even more webcasts throughout the spring and summer months. Subscribe to our YouTube channel Subscribe to our iTunesU channel EVENT WEBCASTS A Celebration of Max Roach January […]