An ‘Appalachian Spring’ Collaboration

The following is a guest post from Head of Reader Services Daniel Boomhower.

In the fall of 2012 Dr. Chris Ford, Director of the Baltimore School for the Arts, contacted the Music Division to see if his faculty and students could work with us to develop a research component in conjunction with their production of Martha Graham’s Appalachian Spring. The possibility of working with high school students to create an opportunity for them to engage in a sophisticated way with primary sources intrigued us. We routinely work with graduate students in the performing arts to emphasize the idea that research skills are essential tools for dynamic artists; high school students, however, do not typically visit the Music Division with such well-thought out intentions, scholarly interest, and deep passion. The following video, produced by students at the Baltimore School for the Arts, reveals what these students took away from their time working with the collections of the Music Division. We are impressed and inspired.

The Legacy of Civil War Spirituals

One of the themes resulting from the multitude of Civil War Sesquicentennial commemorations around the country is the notion that the role of African American culture during that great conflict must receive more attention. Both scholarly forums and the general public’s continued dialogue about the war’s enduring impact on American society can provide opportunities to …

Read more »

A Miró On Which To Dwell

Perhaps the greatest problem with musical warhorses is that in winning the battle for performance time they have triumphed over other works that could have been heard “in-steed.” There are certain works, however, that I do not begrudge their trot to the top; among these is Schubert’s String Quartet in G major, D. 887, the …

Read more »

Pic of the Week: An Evening with David Amram

I first met composer and multi-instrumentalist David Amram 25 years ago when we did a late night radio interview at WPFW-FM. I knew about his music, of course, his film scores (The Manchurian Candidate, Splendor In The Grass, Pull My Daisy) and collaborations with leading jazz, classical, folk and world music artists. But that free-wheeling …

Read more »

Distinctly America! George Crumb at the Library of Congress

The following is a guest post from Senior Producer in the Concert Office Anne McLean. A new music mini-series, Distinctly America!, brings a fascinating sampling of American composers–established and emerging–to the Library’s Coolidge Auditorium this spring (for a complete lineup of events, visit the Concerts from the Library of Congress website).  George Crumb, Sebastian Currier …

Read more »

National Recording Registry – What Would You Add?

Yesterday, Librarian of Congress Dr. James Billington added 25 new sound recordings to the Library’s National Recording Registry. Under the terms of the National Recording Preservation Act of 2000, the Librarian, with advice from the Library’s National Recording Preservation Board, is tasked with selecting 25 recordings every year that are “culturally, historically, or aesthetically significant” …

Read more »