Top of page

Goin’ to Motown!

Share this post:

With the help of one of our dedicated transcribers and patron Audrey Joy , we have received a steady supply of Motown hits every week ready to go in the embossing queue. When I read through these titles, the melodies come to my ears immediately, and I don’t think I EVER heard anyone say they didn’t like Motown songs. They were certainly a big part of my school days and dances.

Soon, we will have Motown: 50th Anniversary Songbook available to borrow, but in the meantime, I thought I would provide a bit of history of this era and list some songs we can send in braille right away. You can easily create a storyline with these titles of a relationship from beginning to breakup, getting-back-together, breaking up again in the usual teenage fashion until there is some final resolution.

Rhythm & Blues (R&B) is a product of African-American Southern gospel singing and a pronounced beat. With the migration to urban centers, rhythms became faster and harmonies a bit more complex. Early examples were Ray Charles and Sam Cooke, opening the way for “soul” music’s popularity in the 1960s. Berry Gordy began producing records in Detroit, aka Motor City, in the 1950s with simple lyrics over chord progressions, colored with woodwinds, percussion and a gospel chorus. What became known as the “Motown” sound culminated in the songs of Holland-Dozier-Holland, and I saw their names many times on the 45s (those are small records for those of you under the age of 50) I bought; they wrote many great hits sung by The Supremes.

Young lady sorts 45 rpm short play record discs  and long playing discs on table.
Young lady sorts 45 rpm short play record discs and long playing discs on table.
The Supremes
Photo of The Supremes, female singing group from the 1960s.

Here’s a quick Motown tale about Michael and Kimberly, two teens in the 60s. Michael saw Kimberly in the hall at school one day and said What’s Going On, I Heard It Through the Grapevine that you wanted to be My Girl. Kimberly replied, well, if you’ll be My Guy. He declared You Are the Sunshine of my Life and she replied that You’re All I Need to Get By. He said You’ve Really Got a Hold on Me and they both went Dancing in the Street. He confided to her that he liked The Way You Do the Things You Do. Kimberly was happy to hear that, but she said You Keep Me Hanging On, Where Did Our Love Go? and told him to Stop! In the Name of Love before he broke her heart and please, think it over. Can’t you see The Tracks of my Tears?

He assured her Someday We’ll Be Together because you know I Never Can Say Goodbye. Soon Kimberly received a telephone call and Michael told her I Just Called to Say I Love You. She jumped up and declared Oh! I Got to Be There because Ain’t No Mountain High Enough to keep me from you! They both said How Sweet It Is and I’m Too Busy Thinking About My Baby. Michael admitted to Kimberly Baby I Need Your Lovin’ and she replied You’ve Made Me So Very Happy. He called her My Cherie Amour and they both agreed, Ain’t Nothing Like the Real Thing.

I like happy endings. These are some of the braille music titles available now by request.

The End.

Add a Comment

This blog is governed by the general rules of respectful civil discourse. You are fully responsible for everything that you post. The content of all comments is released into the public domain unless clearly stated otherwise. The Library of Congress does not control the content posted. Nevertheless, the Library of Congress may monitor any user-generated content as it chooses and reserves the right to remove content for any reason whatever, without consent. Gratuitous links to sites are viewed as spam and may result in removed comments. We further reserve the right, in our sole discretion, to remove a user's privilege to post content on the Library site. Read our Comment and Posting Policy.


Required fields are indicated with an * asterisk.