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Veterans Day and Armistice Day – Composers in World War I

A few months back, I wrote a post about some of the music of the World War I era, both popular and classical. That post describes the music of that time; however, I did not go into much detail about how World War I affected composers of that era, some penning music that expressed their sense of grief, loss, and futility of war.

One of the sadder composer stories is of George Butterworth, who was born in London in 1885. He attended the University of Oxford and was an acquaintance of Vaughan Williams, sometimes travelling with him to the countryside to collect folk songs. Butterworth joined the war effort shortly after England entered, and he served as a platoon leader. Tragically, he was shot by a sniper during the battle of the Somme. He was 31. Two of his most famous works are song settings of A.E. Housman’s poems: Six Songs from “A Shropshire Lad,” composed in 1911, and Bredon Hill and Other Songs, composed in 1912. We have these books at BRM09510 and BRM02812, respectively.

A poster from the UK during World War I

The veteran’s farewell. Enlist now! 1 print (poster) by Frank Dadd, 1914. //hdl.loc.gov/loc.pnp/cph.3g10886

Like Butterworth, Arthur Bliss, was keen to join the war effort, and he fought in France until 1917 with the Royal Fusiliers. His brother Kennard was killed in action, and this tragedy affected him deeply. We have two pieces by Bliss in the collection: The Beatitudes: A Cantata for Soprano and Tenor Soli, Chorus, Orchestra and Organ (BRM29678) and The Buckle: for Voice and Piano (BRM21921).

Alban Berg served in the Austro-Hungarian Army from 1915 through 1918. During that time he also worked on his opera Wozzeck, which coalesced many of the tensions, horrors, and distress of the modern age, specifically those of World War I. We have a few digital talking books that discuss this opera: Wozzeck: Commentary by Alfred Glasser (DBM01605), Wozzeck (DBM01314), and Michael Barclay Lectures on “Wozzeck” by Berg (DBM00787). We also have an opera guide with libretto at BRM30057.

Maurice Ravel also wished to join the war effort for France as a pilot; however he was too old, and instead became a truck driver.  Ravel suffered a number of ailments during the war, including insomnia, digestive issues, and frostbite. During the war, he composed Le Tombeau de Couperin. Each of the six movements is dedicated to a friend of Ravel who had died during the war. We have three versions of this piece in bar-by-bar (BRM05545), bar-over-bar (BRM18929), and paragraph formats (BRM21733). Between 1929 and 1930, Ravel also composed the Concerto for the Left Hand (BRM24137), which was commissioned by Paul Wittgenstein, who had lost his right arm during World War I.

Many other composers were affected by the war, including Frederick Delius, Enrique Granados, and Benjamin Britten. Please get in touch with the music section if you would like to borrow any items mentioned in this post.

American Composers and Musicians from A to Z: A (Part 1)

The following is a guest blog post from the new section head of the NLS Music Section, Juliette Appold. Have you ever thought about listing classical and contemporary composers by their last names from A to Z? How about identifying American composers from A to Z? And how about filling the alphabet with names of […]

A Gem in the Music Appreciation Collection

One of the most nerve-racking events I ever experienced as a music student was participating in master classes. I remember one class in particular vividly; the feeling of slight panic as the master class teacher repeated for the fourth time, “no, not like that, try again.” I could hear the audience shifting in their seats […]

There’s No Song Like an Old Song

I’m always reminding myself how fortunate I am to live in an area that offers not only great classical music, theater and dance performances, but many popular music performers make a stop, especially during the summer. Being a child of the sixties, rock and roll concerts usually meant performances in smoky nightclubs (missed out on […]

From Loose Change to Reconciliation in Beethoven Quartets

Often the blogs we write have something to do with the calendar: a historic event, date of birth or death, etc. but this blog concerns a favorite topic of mine. Going through all the Robert Greenberg courses that the Music Section offers, I found one called “The String Quartets of Beethoven.” So I got the […]

Connections: Participating in Pride Month

Recently on June 9th-10th, I had the pleasure to present some treasures at the recent “Pride in the Library: LGBTQ+ Voices in the Library of Congress Collections” exhibit. This was in the Jefferson Building and there was great interest in what was on display.  The attendance record (2,365 visitors over three days) illustrates the level of […]

Women in the Arts

I have blogged previously about Women in Music  and although the official calendar date has passed for Women’s History Month, I would like to share my experience from a forum sponsored by the Library of Congress. Leaders in the Arts was a conversation held in the beautiful Members Room on March 22, 2017, with Librarian Carla Hayden […]

Le Jazz Hot!

It’s always interesting to check the date for famous birthdays or events and see where reflections will lead.  Today, January 26, is the birthday of Stèphane Grappelli, French jazz violinist. That’s right, violinists can be jazz musicians, and once you hear a sample, you’ll start appreciating, and I hope, admiring the style.  In fact, stringed […]

A Four Hour Concert in an Unheated Hall

On this day, over two hundred years ago, a historic concert took place. It was in Vienna, in the middle of the Advent season, and Beethoven needed some money. “But, Beethoven,” you would say, “surely he was doing fine! He is Beethoven! Everyone loves him!” However, in Vienna in 1808, just because everyone loved you […]