Happy Giant Bible Day! On April 4, 1952, philanthropist and bibliophile, Lessing J. Rosenwald (1891-1979) donated the Giant Bible of Mainz to the Library of Congress. He made this gift exactly five hundred years after the manuscript’s scribe first put quill to parchment. In keeping with Rosenwald's commitment to encouraging broad cultural engagement with the history of the illustrated book, the Library’s digitization allows book lovers near and far to encounter every page of this important and evocative manuscript.
In the digital age, we have all been spoiled by the ease with which we can share our written ideas with others, but let's take a moment to appreciate the skill, time, and resources that were once required to bring a text into print. This post examines the processes involved in operating a printing press in the 15th-18th centuries.
During the hand press era, composing the text of a book was among the most technical elements of the printing process. This post describes the labor involved in typesetting and imposition.
Most of us learned in school that Johannes Gutenberg invented the printing press, which is not entirely accurate. He is, however, conventionally credited with inventing the process of mass-producing individual pieces of type. These innovations in moveable type allowed for books to be efficiently produced in large quantities and revolutionized the human ability to share ideas. This post explains the multi-step process of mass-producing metal letters to be used in printing texts.
Before today's thin, brittle paper made from wood pulp became standard, paper was handcrafted by experts using linen rags as the essential material. This post explains the process by which rag paper was made in Europe for centuries.
At the end of the fifteenth century, simplified versions of medical charts featuring an image of the "Zodiac Man" began to appear in Books of Hours. The Lessing J. Rosenwald Collection in the Rare Book and Special Collections Division contains many examples of these printed editions, one of which uses a skeleton in place of the Zodiac Man.
Did the earliest printers know what print was? Book historian Anna Dlabacova, former fellow in the W. Kluge Center and senior university lecturer at the Leiden University Centre for the Arts in Society, offers some observations about what a 15th-century book from the Netherlands can teach us about culture and innovation.
In this post Haim Gottschalk, Hebraica-Judaica Cataloging Librarian for the Israel and Judaica Section of the Asian and Middle Eastern Division at the Library of Congress, writes about the provenance of two Hebraic items in the Rare Book and Special Collections Division.
Likely created in Tours in the 1470s in a workshop influenced by the French painter and manuscript illuminator, Jean Fouquet (c. 1420 - 1480), a Book of Hours in the Rare Book and Special Collections Division at the Library of Congress reminds us that Halloween is just around the corner.
