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Category: Poetry

Crescent City Outsiders: The Curious and Colorful Story of Loujon Press

Posted by: Callie Beattie

Born out of the counter-cultural renaissance of 1960s New Orleans, Loujon Press operated as a small but mighty avant-garde fine-press publisher of a short-lived little magazine The Outsider, and four editioned books by Charles Bukowski and Henry Miller. Merging the pioneering spirit of the underground with a vision for creating expertly crafted, handmade publications, Gypsy Lou Webb and John Edgar Webb stand out as true visionaries and champions of American literature.

a photograph of the front cover of the book, which advertises Eliot as the winner of the Dial prize

The First Edition(s) of T.S. Eliot’s “The Waste Land”

Posted by: Patrick Hastings

1922 was a pivotal year in the modernist literary movement, highlighted by the first edition publications of both James Joyce’s Ulysses and T.S. Eliot’s groundbreaking poem “The Waste Land.” In Eliot’s negotiations over publication rights to the poem, he utilized and tested an emerging network of modernist institutions.

Williams, Jonathan. Ruff, David, Metal-engraver. Garbage litters the iron face of the sun's child. Jargon 1. [Jonathan Williams], [San Francisco], 1951

A Publisher for Appalachia’s Outsiders, Mavericks and Neglected: The Jargon Society

Posted by: Mark Manivong

The Jargon Society released its first publication numbered Jargon 1 in 1951, “Garbage Litters the Iron Face of the Sun’s Child,” a folded pamphlet with poetry by Jonathan Williams and an etching by David Ruff. Founded that same year by Williams and Ruff, the Jargon Society would go on to publish 115 titles, mostly by up-and-coming writers and photographers.

Detail from mock-up for cover design for Alice Notley's At Night the States.

The George Schneeman Archive

Posted by: Mark Manivong

George Schneeman was a poet and artist who collaborated with the Poetry Project at St. Mark's in New York City. This blog post provides a short biography and some examples of his work found in his archive.