As part of a multiyear “Celebration of the Book,” on Monday the Library of Congress launched the exhibit “Books That Shaped America.” The centerpiece of the exhibit is an initial display of 88 books deemed by the Library to be of cultural significance to America. You can view the list of books here.
The list is not meant to be definitive nor to represent the ‘best’ books published in America, but to serve as a starting point for discussing books that have played an important role in American history and culture. To foster this discussion, the Library of Congress has created an online survey through which you can comment on the initial list and nominate additional books for inclusion.
Books from all genres were considered for the initial list, and I am pleased to see that seven poetry books made the cut: Walt Whitman’s Leaves of Grass (1855); Emily Dickinson’s Poems (1890); William Carlos Williams’ Spring and All (1923); Robert Frost’s New Hampshire (1923); Langston Hughes’ The Weary Blues (1925); Gwendolyn Brooks’ A Street in Bronzeville (1945); and Allen Ginsberg’s Howl and Other Poems (1956).
As for myself, it wasn’t until college that I read a poetry book—as opposed to individual poems—that truly influenced me: Stanley Kunitz’s Passing Through: The Later Poems, New and Selected (1995). With its many poems celebrating the richness of life while simultaneously confronting the inevitability of aging, loss, and death, Kunitz’s book was the first to truly awaken in me an appreciation for every lived moment. To this day, poems in Passing Through such as “The Wellfleet Whale,” “The Layers,” “The Long Boat,” “The Snakes of September,” and “Touch Me,” remain among those most important to me.