This summer, the Copyright Office reached a new milestone in our modernization efforts: one million card catalog records have been digitized with searchable metadata and added to the Office’s Copyright Public Records System (CPRS) pilot. Learn more about CPRS, the Office’s digitization efforts, and historical registration application cards in this blog post.
As we approach the eighteen-month mark for the Copyright Claims Board (CCB), we revisit a conversation with the CCB's three Copyright Claims Officers, David Carson, Monica McCabe, and Brad Newberg, from the one-year anniversary and share updated statistics about the Board's work between June 2022 and October 2023.
In June and July 2023, the Copyright Office hosted two public virtual webinars on the use of artificial intelligence technologies to generate works in creative fields. This blog post provides a brief recap of and links to the webinars, which focused on copyright registration guidance for AI-generated works and perspectives on how AI impacts copyright systems across the globe.
In April and May 2023, the Copyright Office hosted four public, virtual listening sessions on the use of artificial intelligence to generates works in creative fields. The listening sessions focused on four different categories of works: literary works, including print journalism and software; visual arts; audiovisual works, including video games; and music and sound recordings. This blog post provides a brief recap of the four listening sessions.
Earlier this year, on January 1, new group of creative works entered the public domain in the United States. Learn more about some of the works published in 1927 that anyone can now use without the copyright owner’s permission.
More than once, a cover of a hit song has become an even bigger hit than the original. According to American Songwriter, it happened with songs such as “Respect” (written and originally recorded by Otis Redding, remake by Aretha Franklin), “All Along the Watchtower” (written and originally recorded by Bob Dylan, remake by Jimi Hendrix), …
The best edition physical deposit requirement for copyright registration has long been a key part of U.S. copyright law, but in recent years, the U.S. Copyright Office has worked to clarify and simplify some of the deposit requirements. This blog post outlines some of the recent changes and where to find more information.
Attention songwriters and publishers: did you know that under the Music Modernization Act, you may be owed royalties for the use of your musical works on interactive streaming services? Read on to learn the difference between “Mechanical,” “Unmatched,” and “Historical” royalties.