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Two pink registration application cards set against a blurred background of a bookshelf in an office suite. Text reads: Over One Million Card Catalog Records Digitized in Copyright Public Records System Pilot, A Copyright: Creativity at Work Blog Post

Over One Million Card Catalog Records Digitized in Copyright Public Records System Pilot

Posted by: Nora Scheland

This summer, the Copyright Office reached a new milestone in our modernization efforts: one million card catalog records have been digitized with searchable metadata and added to the Office’s Copyright Public Records System (CPRS) pilot. Learn more about CPRS, the Office’s digitization efforts, and historical registration application cards in this blog post.

Pushing Boundaries: Hispanic and Latin American Creators Who Redefine Success

Posted by: Ashley Tucker

Since 1988, Americans have observed Hispanic Heritage Month from September 15 to October 15. This blog explores the impactful careers and creative contributions of Hispanic and Latin American creators: Linda Ronstadt, José Andrés, Lin-Manuel Miranda, and Rita Moreno. Discover how their contributions are connected to the Copyright Office.

Meet Olivia Charmaine Morris: A Champion for “People of Color and Colorful People”

Posted by: Ashley Tucker

June is Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ+) Pride Month, when we recognize the history and impact of LGBTQ individuals in the United States. This year, the Copyright Office celebrates Pride Month and extends our World Intellectual Property Day campaign by spotlighting Olivia Charmaine Morris (she/her), who is a queer media mogul and entrepreneur …

muliticolor representation of Dolly Parton (left) and Whitney Houston (right)

Celebrating Women Through Their Copyright Story: Dolly Parton and Whitney Houston

Posted by: Alison Hall

More than once, a cover of a hit song has become an even bigger hit than the original. According to American Songwriter, it happened with songs such as “Respect” (written and originally recorded by Otis Redding, remake by Aretha Franklin), “All Along the Watchtower” (written and originally recorded by Bob Dylan, remake by Jimi Hendrix), …

Black man sits in front of a desk with three monitors, processing books from a library cart next to him

Copyright Deposit Requirements May Be Easier Than You Think

Posted by: Nora Scheland

The best edition physical deposit requirement for copyright registration has long been a key part of U.S. copyright law, but in recent years, the U.S. Copyright Office has worked to clarify and simplify some of the deposit requirements. This blog post outlines some of the recent changes and where to find more information.

Artist, Dakarai Akil, standing on top of a rectangle rug and in front of two red chairs and a red wall with a work of art hanging on it.

A Tale of Black Resistance through Collage Artwork

Posted by: Ashley Tucker

This year’s theme of Black Resistance is a reminder that while Black history holds captivating stories of innovation, triumph, pride, and joy, we must also acknowledge the many ways that African Americans have had to resist historic and ongoing oppression. As part of this year’s celebration, Office staff sat down with Dakarai Akil, a dynamic, Los Angeles-based collage artist, for a conversation about collage art, creative process, identity, and Black resistance. Akil has engaged with the copyright system, and over the span of his career, he self-published three art books and had his work published in The New York Times, Wired Magazine, and Readers Digest. Akil’s website describes his creations as “small windows into the worlds of Black surrealism & afrofuturism,” and he describes his own work as challenging expectations.