This post is adapted from an article written by Copyright Claims Officers Brad Newberg, Monica McCabe, and David Carson about how the CCB can help lighten the federal docket that was originally published in The Judges’ Journal, Volume 63, Number 4, Fall 2024.
This blog post introduces the U.S. Copyright Office’s newest Learning Engine video, “History of Copyright,” which chronicles the history of copyright and the Copyright Office. The Office has released the video, and this blog post, timed with the 234th anniversary of the Congressional bill that eventually became the first federal copyright law.
This summer, the Copyright Office reached a new milestone in our modernization efforts: one million card catalog records have been digitized with searchable metadata and added to the Office’s Copyright Public Records System (CPRS) pilot. Learn more about CPRS, the Office’s digitization efforts, and historical registration application cards in this blog post.
In April and May 2023, the Copyright Office hosted four public, virtual listening sessions on the use of artificial intelligence to generates works in creative fields. The listening sessions focused on four different categories of works: literary works, including print journalism and software; visual arts; audiovisual works, including video games; and music and sound recordings. This blog post provides a brief recap of the four listening sessions.
The best edition physical deposit requirement for copyright registration has long been a key part of U.S. copyright law, but in recent years, the U.S. Copyright Office has worked to clarify and simplify some of the deposit requirements. This blog post outlines some of the recent changes and where to find more information.
This Native American Heritage Month, we are celebrating the "firsts" in a blog series called, "Celebrating the Firsts: Shining a Light on Trailblazing Artwork by Native Artists." This blog features the first painting by a Native American artist acquired by the National Gallery of Art. The painting is called I See Red: Target and is by Juane Quick-to-See Smith (Confederated Salish and Kootenai Nation).
