Happy Blogiversary! As our longtime readers may recall, the first post on Folklife Today was posted five years ago today for Halloween 2013. That means we’ve been around for five whole years! All of us at Folklife Today would like to thank all the readers out there who have read our posts over the years. We’d also …
The Folklife Today Halloween Podcast is Live As we hope you’ve come to expect, we have something very special in store this Halloween. As I mentioned in our last post, we’re launching the Folklife Today Podcast on October 29, and hey…that’s today! The first episode is called “Haunting Tunes for Halloween.” It’s hosted by John …
Halloween Is Approaching Fast! As you know, we love to feature special content for Halloween, including scary songs, spooky stories, and fabulous photos. This year, we’re continuing our lead-up to the holiday with the classic folktale “Mr. Fox,” told by Connie Regan-Blake. Hear it in the player at the bottom of this post. But first, …
As we always do when Halloween rolls around, Folklife Today is gearing up for scary fun! We have a couple of spooky stories in store for you, as well as a surprise in late October. Our first scary tale is Jackie Torrence’s classic version of “The Golden Arm.” “The Golden Arm” is an old folktale …
The American Folklife center is pleased to announce the Spanish-language version of the 4th edition of Folklife and Fieldwork! A team of us here at AFC and beyond have been working hard to make our field manual even more useful by translating it into some of the world’s most widely spoken languages. We passed a …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with the The Fairfield Four, an African-American gospel quartet that has existed for more than 95 years. Best known for its performance in the …
This past weekend, AFC held the last of its planned Summer Jams, with a Blues Jam led by the great Phil Wiggins and co-sponsored by the Archie Edwards Blues Heritage Foundation. We plan to hold more of the jams in the near future, repeating some of the genres we’ve already featured (old-time, Irish, ballads, and …
Langston Hughes is mostly remembered selectively as a “folk” and jazz poet, or author of black vernacular blues and jazz poetry. While Hughes did dedicate himself to creating and reinterpreting these genres throughout his life and career, the core of his work is actually in collecting and experimenting with folklore across spaces and media. In Harlem and abroad, Hughes operated as what scholar Daphne Lamothe calls a “native ethnographer,” adapting his work during and beyond the Harlem Renaissance across genres to the discourses of anthropology, folklore, and sociology in a mode reminiscent of that of sociologist W.E.B. Du Bois, anthropologist Zora Neale Hurston, civil rights activist, songwriter, and author of the local history book Black Manhattan James Weldon Johnson, choreographer Katharine Dunham, and many others. Specifically, Hughes was an ethnographer of black vernacular culture, transcribing different kinds of linguistic and musical performance and reinterpreting those transcriptions in and as his own texts.