Top of page
Posted by: Stephen Winick
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with the The Fairfield Four, an African-American gospel quartet that has existed for more than 95 years. Best known for its performance in the …
Posted in: African American History, Homegrown Plus
Posted by: Stephen Winick
This past weekend, AFC held the last of its planned Summer Jams, with a Blues Jam led by the great Phil Wiggins and co-sponsored by the Archie Edwards Blues Heritage Foundation. We plan to hold more of the jams in the near future, repeating some of the genres we’ve already featured (old-time, Irish, ballads, and …
Posted in: AFC Events, Pic of the Week
Posted by: Stephen Winick
Langston Hughes is mostly remembered selectively as a “folk” and jazz poet, or author of black vernacular blues and jazz poetry. While Hughes did dedicate himself to creating and reinterpreting these genres throughout his life and career, the core of his work is actually in collecting and experimenting with folklore across spaces and media. In Harlem and abroad, Hughes operated as what scholar Daphne Lamothe calls a “native ethnographer,” adapting his work during and beyond the Harlem Renaissance across genres to the discourses of anthropology, folklore, and sociology in a mode reminiscent of that of sociologist W.E.B. Du Bois, anthropologist Zora Neale Hurston, civil rights activist, songwriter, and author of the local history book Black Manhattan James Weldon Johnson, choreographer Katharine Dunham, and many others. Specifically, Hughes was an ethnographer of black vernacular culture, transcribing different kinds of linguistic and musical performance and reinterpreting those transcriptions in and as his own texts.
Posted in: African American History, Hidden Folklorists