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Search results for: Spiritual

A catalog card from a 1934 performance of "Thank God Almighty."

Becky Elzy and Alberta Bradford: Spiritual Folklorists

Posted by: Stephen Winick

This blog post about the “Two Sweet Singers” Becky Elzy and Alberta Bradford is part of a series called “Hidden Folklorists,” which examines the folklore work of surprising people, including people better known for other pursuits. In preparing this post, I was greatly aided by Shane K. Bernard, the archivist at Avery Island in Louisiana, …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Christmas Songs Podcast is Live!

Posted by: Stephen Winick

Episode three of the Folklife Today Podcast is ready for listening! Find it at this page on the Library’s website, or on iTunes, or with your usual podcatcher. Get your podcast here!   Our latest podcast presents some of our favorite Christmas songs.  In this blog post, I’ll present the full versions of all the songs.  …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Engaging Collections: AFC Chicago Ethnic Arts Collection Gathering

Posted by: Michelle Stefano

With 31 digitized AFC collections now online at loc.gov, AFC staff has long been thinking of ways to promote and enhance meaningful uses of them. In the past couple of years, these discussions have focused on the digitized, ethnographic survey collections, such as the Montana Folklife Survey, South Central Georgia Folklife Project, Rhode Island Folklife …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Langston Hughes: Experimental Folklorist

Posted by: Stephen Winick

Langston Hughes is mostly remembered selectively as a “folk” and jazz poet, or author of black vernacular blues and jazz poetry. While Hughes did dedicate himself to creating and reinterpreting these genres throughout his life and career, the core of his work is actually in collecting and experimenting with folklore across spaces and media. In Harlem and abroad, Hughes operated as what scholar Daphne Lamothe calls a “native ethnographer,” adapting his work during and beyond the Harlem Renaissance across genres to the discourses of anthropology, folklore, and sociology in a mode reminiscent of that of sociologist W.E.B. Du Bois, anthropologist Zora Neale Hurston, civil rights activist, songwriter, and author of the local history book Black Manhattan James Weldon Johnson, choreographer Katharine Dunham, and many others. Specifically, Hughes was an ethnographer of black vernacular culture, transcribing different kinds of linguistic and musical performance and reinterpreting those transcriptions in and as his own texts.

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Singing the Archive in the Schoolroom: A Collaboration between the Library of Congress and the Global Scholars Academy

Posted by: John Fenn

This guest post is by Sarah Elizabeth Tomlinson, a Ph.D. candidate in Musicology at the University of North Carolina at Chapel Hill. At their school’s annual Christmas performance, forty kindergarten and first-grade students in Durham, North Carolina bounced and sang along with the Library of Congress. Specifically, they performed for an audience of family and …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Q & A with Peter Winne, independent radio producer

Posted by: John Fenn

Peter Winne is an independent radio producer based in Connecticut. Earlier this year he released an audio documentary on PRX that explores the fascinating history of a well-known American gospel song called, “Children, Go Where I Send Thee.” Peter’s research for the program drew him into the orbit of the American Folklife Center at the …