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Search results for: alan lomax

King Biscuit Time memorabilia on the walls of the Delta Cultural Center.

Folklife On the Air: A Tribute to Two “Radio Guys”

Posted by: Stephen Winick

Here at the American Folklife Center, we’ve always had an appreciation for radio. As the home of an archive with a lot of fantastic audio recordings, the “folk archive” has been ripe for use on the radio since its earliest days. John and Alan Lomax, heads of the archive back in the 1930s and 1940s, …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Folklife at the International Level: the Roots of Intangible Cultural Heritage Part II, with Valdimar Tr. Hafstein

Posted by: Michelle Stefano

In the last post, the Folklife at the International Level series took a turn into the world of “intangible cultural heritage” (ICH), a category of heritage on the global stage that developed decades ago, thanks to the joint efforts of WIPO and the United Nations Educational, Scientific and Cultural Organization (UNESCO). As noted, since the …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Alistair Cooke: Radio and TV Icon, Hidden Folklorist

Posted by: Stephen Winick

This article about the broadcaster, journalist, and writer Alistair Cooke is part of a series called "Hidden Folklorists," which examines the folklore work of surprising people, including people better known for other pursuits. It mainly details his work on the 12-part 1938 BBC radio series "I Hear America Singing," which was the first time Library of Congress field recordings were used on the radio. It also discusses Cooke's involvement in the Library's recordings of Jelly Roll Morton, and presents the first recordings of his voice, made for the purposes of a dialect study in 1934.

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Collections documenting cultures in Brazil, the Sudan region, New Mexico and California are now richly described online

Posted by: Nicole Saylor

A handful of recently published online finding aids describing American Folklife Center collections provide detailed windows into collections documenting a range of traditions, from New Mexican Midwinter Masquerades to traditional music from the Sudan region. The following round-up draws heavily on descriptions created by the archivists who processed these amazing collections. Roxane Connick Carlisle Collection, …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

“The Mermaid”: the Fascinating Tail Behind an Ancient Ballad

Posted by: Stephen Winick

Mermaids are among folklore’s most beloved magical creatures, especially among children. Usually depicted as beautiful women with long, fishy tails, they’ve captured the imagination of many kids, and a few adults too. Most youngsters, and most parents, are aware of the sympathetic character from the Hans Christian Anderson fairy tale The Little Mermaid, and its …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Thanking Senator Cochran, a Friend of Folklife

Posted by: Stephen Winick

The following is a guest post from Tom Rankin, a member of the AFC Board of Trustees.  A folklorist and photographer, Tom is Director of Duke University’s MFA in Experimental and Documentary Arts, and was formerly the Director of the Center for Documentary Studies at Duke.  Senator Thad Cochran of Mississippi, who held his seat from …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Caught My Ear: The Ballad of J. B. Marcum

Posted by: Stephanie Hall

On May 4, 1903, a prominent and well-respected attorney and U. S. commissioner, James Buchanan Marcum, was shot and killed on the steps of the Breathitt County courthouse in Jackson, Kentucky. “The J. B. Marcum Song,” more widely known as “The Ballad of J. B. Marcum,” preserves the memory of this important Kentucky citizen and the …

A man sits in a chair with a small banjo

Brooklyn Folk Festival Turns 10: Q&A with Eli Smith

Posted by: John Fenn

A little over a decade ago, Brooklyn-based musician and promoter, Eli Smith, merged his passion for folk music with the inspiration he got from the community of artists calling New York City home and created the Brooklyn Folk Festival. Along the ten-year journey of the Festival, Eli has engaged the American Folklife Center in numerous …