In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with the Sattriya Dance Company with the Dancing Monks of Assam Traditional Dance from Assam, India. This is one of two related …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with a performance of Kuchipudi dance by the Kalanidhi Dance Company from Maryland and an oral history with their director, Anuradha Nehru. This is …
Folklorists are often very interested in movements to improve social conditions. They do not necessarily focus on famous or prominent people, though sometimes they do. Ethnographers often are interested in the grass roots origins of movements and the consequences of such movements for ordinary people. For women in the workplace, the American Folklife Center has …
This guest post is by Professor Bob Bussel of the University of Oregon Labor Education and Research Center in Eugene, who organized the documentary team that produced the collection now online as “Taking Care”: Documenting Home Health Care Workers that is part of the Occupational Folklife Project. Home care workers represent what scholars describe as a …
For some time I have been intrigued by the beautiful voices of four young men, singers in the Holloway High School Quartet, recorded by John W. Work III in Murfreesboro, Tennessee, in 1941. To mark African American Heritage Month this year, I thought I would try to find out a little more about them. I have …
2019 Proposals due March 12, 2019 The American Folklife Center at the Library of Congress offers three competitive awards in 2019 to support scholars working with ethnographic collection materials at the Library of Congress and for fieldworkers on folklife and related topics. This year, the American Folklife Center’s Archie Green Fellowship, Parsons Fund Award, and …
If asked her about her profession, Ruby Pickens Tartt (1880-1974) would say that she was a painter. In an era when Alabama women rarely attended college, she graduated from the Chase School of Art in New York and painted and taught painting for much of her life. But folklorists consider her one of their own. She was …
