In his book The Folk Songs of North America, in an introduction to one of the American Folklife Center's finest songs about the Devil, Alan Lomax wrote:
Early America saw the Devil as a real and living personage. Rocks in New England were scarred by his hoofprints, as he carried off maidens, screaming and howling, over the hills, or came after the men who had sold their souls to him in return for money or success. […] A mountain woman tells of the last moments of her mean old husband…’I knowed he war goin’, because all the dogs from fur and nigh come around and howled. Hit wur a dark night. But plain as day, comin’ down yon side the mountain, through the bresh so thickety a butcher knife couldn’t cut hit, I seen the Devil a-comin’. He war ridin’ a coal-black cart, drivin’ a coal-black oxen. The cart come down to the door and stopped. When it come, it come empty. But when it went away, hit had a big black ball in it that war Arzy’s soul. […] Lomax's passage serves as a fine and atmospheric introduction to our own Halloween exploration of the Devil in folksongs from the American Folklife Center archive!
This is a guest post by archivist Maya Lerman, who completed processing on the John Cohen collection. Maya has written for the blog about her work on this collection previously, and another of our staff, Todd Harvey, offered a recollection of Cohen’s rich body of documentation upon his passing last year. Musician, visual artist, writer, …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with Cora Harvey Armstrong, a gospel singer, piano player, songwriter, choir director, and bandleader born and raised in King and Queen County, Virginia. The Richmond-born …
This guest post by Jennifer Cutting is part of a series of blog posts highlighting performances by contemporary artists at special “Archive Challenge” showcase stages, both at the Folk Alliance International conference, and at the Library of Congress as part of the Homegrown concert series. (Find all entries in the series here!) In both of …
Take the Archive Challenge–From Home! The following post was co-authored with Jennifer Cutting At the American Folklife Center, we know it’s been hard for those of you who are cooped up at home in order to contain the spread of the COVID-19 virus. Most of the staff live in areas under stay-at-home orders, and have …
The popular essay often known as "You Are Quoting Shakespeare," suggests that many common phrases have their origin in Shakespeare's works. This post shows that most of those phases were proverbial folklore, known well before Shakespeare's time. It suggests that attributing them to Shakespeare is a form of what Stephen Jay Gould called a "Creation Myth," and that the credit for many of the phrases should go to ordinary speakers of English. It argues that part of Shakespeare's greatness lay in his ability to use such phrases to create natural dialogue.
