The American Folklife Center at the Library of Congress is delighted to announce a new podcast: “America Works.” It is based on our Occupational Folklife Project collection, and tells fascinating stories of American workers. You can listen to a trailer for this exciting new series in the player below: Listen and Subscribe to “America Works” …
Episode 19 of the Folklife Today Podcast (or Season 2, Episode 7) is ready for listening! Find it at this page on the Library’s website, or on Stitcher, iTunes, or your usual podcatcher. As usual, I’ll use this blog post to direct you to fuller audio and video of the items we mentioned in the podcast, …
In a previous post, I took a look at the song “Yuba Dam,” in which a man gets in trouble with his wife and the law by answering questions honestly with the words “Yuba Dam,” only to be repeatedly misheard as saying “you be damned.” In this post, I’ll look into the deeper history of …
Folklorists Barre Toelken and Gary Ward Stanton recorded the comic song “Yuba Dam” on August 25, 1979, among the songs and reminiscences of Kevin Shannon, a singer and storyteller with a large repertoire of songs and a deep knowledge of the history of the Irish American community in and around Butte, Montana. In light of the COVID-19 pandemic, "Yuba Dam" has a new relevance. It's a tale of escalating misfortunes which leave the narrator alone, broke, and beaten up. Needless to say, I think we can all relate; it’s been a trying year. In that case, you might ask, why make it worse with a tale of woe? Well, that’s the great thing. Despite the misfortunes heaped on the shoulders of the narrator, “Yuba Dam” is a funny story. In fact, it’s just one variant of a joke that had been told in prose and verse for over 100 years when the song was recorded. In this post, we take a closer look at “Yuba Dam.”
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) I’m very happy to continue the series with The Murphy Beds, which is the duo of Eamon O’Leary and Jefferson Hamer. The Murphy Beds present traditional and original folk songs with close …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with Cora Harvey Armstrong, a gospel singer, piano player, songwriter, choir director, and bandleader born and raised in King and Queen County, Virginia. The Richmond-born …
Normally, the Homegrown Plus series is a way to bring together the videos of Homegrown concerts with other information about the artists, including oral history interviews. This time, however, we have a more solemn duty: to celebrate the life and legacy of Nakotah LaRance, an outstanding Native American hoop dancer from Ohkay Owingeh Pueblo, New …
As our readers may remember, we've been working with No Depression, The Journal of Roots Music, which is published by the nonprofit Freshgrass Foundation. They're publishing a column called Roots in the Archive, featuring content from the American Folklife Center and Folklife Today. The latest Roots in the Archive column is about the Arlo Guthrie birth announcement, a fantastic manuscript item from the Alan Lomax Collection. The Arlo Guthrie birth announcement is a handwritten, illustrated letter created by Woody Guthrie to announce the birth of his son Arlo. It was sent by Woody to his friend Alan Lomax in 1947. Typed and embellished with finger-painted lettering, the announcement is in the form of a handmade greeting card, a single sheet folded in half to form a front and back cover and a center spread. The front consists of stylized line art representing a mother and baby, a greeting to the Lomax family, and the name "Arlo Guthrie," painted in several different styles and colors. The back consists of the words "Here I Am" in large painted letters. Both sides bear the date, and the name "Arlo Guthrie" written in Woody’s handwriting. Read more about it at the link!
The column also features the whimsical text of the birth announcement, which is written in the voice of baby Arlo, and my own thoughts on this one-of-a-kind manuscript. Of course, the American Folklife Center also has many more resources related to Woody Guthrie, and you can find out more about those in the column too.
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with Lakota John Locklear and kin, a blues family band of Native American heritage. Lakota John, born in 1997, blends traditional styles of the …
