The American Folklife Center is delighted to announce that Nicole "Nicki" Saylor has been appointed the fourth Director of the American Folklife Center at the Library of Congress, effective May 22, 2022. Followers of the American Folklife Center will remember Nicki as the head, and then director, of the Archive of Folk Culture, which is AFC's archive, from 2012 to 2021. "The Center's work of preserving and presenting stories, songs and living traditions from all over the world is more important than ever," Nicki says. "The staff is so innovative and committed to the work. It's a dream job and I am excited!"
We're continuing the Homegrown Plus Premiere series with Julian Kytasty, a third generation player of the bandura, a Ukrainian stringed instrument with similarities to the lute and the zither. Julian also sings beautifully and composes for the bandura and other instruments. In this blog you'll find an embedded concert video, an interview video, and a set of related links to explore!
We're continuing the Homegrown Plus series with a very special presentation of Samoan dance. In addition to the dance video, the blog features an interview with Eti Eti, one of the members of the dance group. The dance video was created by the Student Association For Fa'asamoa, a program of the Samoan Studies Institute at American Samoa Community College. The Samoan Studies Institute’s mission is to ensure and promote the continuity of Samoan culture, traditions, language, and heritage. Since its inception, SAFF has been active in performing the Siva Samoa (traditional Samoan dance), and in teaching and practicing old Samoan customs. For their Homegrown video, the SAFF dancers performed a 30-minute program of traditional dances in several locales at the college, under the direction of Molitogi Lemana. See the video right here in the blog!
In this post we examine some of the earliest evidence of the Cornish May Song, also known as "Hal An Tow." A version of this song was recorded from Lillian Short in Missouri by Vance Randolph in 1941. By that time, the melody to the song had changed in oral tradition, but this early evidence, a written transcription by Edward Jones from 1802, shows that the song was formerly sung to the same melody retained by Lillian Short. The post includes Jones's 1802 passage describing the May 8 observances in Helston, Cornwall, which include the "Hal An Tow" song, the "Furry Dance" or "Flora Dance," and other events; the sheet music as he published it; and a discussion of Jones's interpretations of the Helston song in relation to AFC's field recording.
We're continuing the Homegrown Plus Premiere series with international recording artist Herb Ohta, Jr., who is one of today's most prolific ʻukulele masters. In this blog you'll find an embedded concert video, an interview video, and a set of related links to explore! We're very excited to present Herb Ohta, Jr. in the series. Influenced by jazz, R&B, Latin and Brazilian music, as well as traditional Hawaiian sounds, he puts his stamp on Hawaiian music by pushing the limits of tone and technique on this beautiful instrument. The son of ʻukulele legend "Ohta-san," he started playing at the age of three, and began teaching at the age of nine. Based in Honolulu, he shares the music of Hawaiʻi and the beauty of the ʻukulele with people around the world, performing concerts and conducting instructional workshops. As a special treat, Herb asked his good friend Jake Shimabukuro to join him for a medley of traditional Hawaiian songs. Shimabukuro, also a Honolulu native, is one of the most highly acclaimed ʻukulele players in the world, and has collaborated with many great musicians, including Willie Nelson, Bette Midler, Jimmy Buffett, Kenny Loggins, and Amy Mills. He's never forgotten his roots in Hawaiian music, though, and was kind enough to join Herb in his Homegrown concert.
