In the last entry in our series on the Green Man, we look at this figure from folklore as people encounter it in the modern world, including its appearances in art, music, performance, and spiritual practice. We especially look at enactments of the Green Man as they occur in the folk revival, renaissance faires, and faerie festivals. Following other scholars, we suggest that the Green Man in modern contexts often suggests creative resistance to environmental destruction, the modern, and the mundane. The post includes many photos of Green Man enactments and artworks.
Happy holidays from the American Folklife Center! Watch a video of the AFC Mummers performing our 2023 mummers play! Then you can read the play, see the pictures, and even read the annotations if you’re interested in the history of holiday customs. This year’s play is called “Artificial Intelligence Meets Natural Stupidity: A Literary Ball Mumming.” When Artificial Intelligence tries to make writers obsolete, can St. George Eliot, Sherlock Holmes and Enola Holmes save the day? Find out in this play set at the North Pole Library Literary Ball, which includes wassailing carols and dancing to traditional tunes as well!
Mummers plays are short plays which were traditionally performed in Britain, Ireland, colonial America and the West Indies at holiday time. Mummers went from house to house and pub to pub, collecting food, drink and small change as a reward for their entertainment. The American Folklife Center’s archive boasts a large collections of British mummers play texts in its James Madison Carpenter Collection.
On September 8th, 1950, two women set out from Washington DC for the Appalachian Mountains on a hunt for folk songs. The veteran English folklorist Maud Karpeles, 65 years old and intent on revisiting some of the singers she had encountered with Cecil Sharp more than thirty years before, was accompanied by the American folk song collector Sidney Robertson Cowell, 18 years her junior, who had worked in many areas including the Appalachians. Their 27-day expedition in Cowell’s car, bearing an Eicor tape recorder loaned by the Library of Congress, took them from Virginia to North Carolina, and yielded 91 recordings, plus a number of photographs. In this series of blog posts we will be exploring their adventures along the trail, meeting some of the wonderful singers they encountered, and comparing the versions of the songs they recorded. This is the second post in the series.
This post is part of an occasional series about the Green Man, a figure from European folklore. In this post we approach the Green Man through the lens of vernacular religion, suggesting that in the Middle Ages he was an element of vernacular Christianity. We suggest the folk saint as a frame of reference for understanding the Green Man. This allows us to understand how a figure rooted in paganism, which once appeared on pagan temples, could become, for medieval Christians, a focal point of religious ideals.
On September 8th, 1950, two women set out from Washington DC for the Appalachian Mountains on a hunt for folk songs. The veteran English folklorist Maud Karpeles, 65 years old and intent on revisiting some of the singers she had encountered with Cecil Sharp more than thirty years before, was accompanied by the American folk song collector Sidney Robertson Cowell, 18 years her junior, who had worked in many areas including the Appalachians. Their 27-day expedition in Cowell’s car, bearing an Eicor tape recorder loaned by the Library of Congress, took them from Virginia to North Carolina, and yielded 91 recordings, plus a number of photographs. In this series of blog posts we will be exploring their adventures along the trail, meeting some of the wonderful singers they encountered, and comparing the versions of the songs they recorded.
