Welcome back to Homegrown Plus! We're continuing the series with Cambalache, who perform son jarocho music, one of the regional Mexican styles that has become very important to the Chicano community in California. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer, plus links and connections to Library of Congress collections. Cambalache, named for a Spanish word that means "exchange," is a Chicano-Jarocho group based in East Los Angeles. Founded in 2007 and led by Cesar Castro (sonero, maestro and luthier from Veracruz, Mexico), Cambalache plays and promotes traditional son jarocho through performance, music workshops, and educational demonstrations. Son jarocho comes from Veracruz, Mexico, on the gulf coast, a cultural region shaped by Indigenous, African, and Spanish culture. In the spirit of the fandango, a traditional celebration of music and dance, Cambalache engages its audience through participatory performances.
Welcome back to Homegrown Plus! We're continuing the series with Martin Carthy, one of the best known and most critically acclaimed musicians performing traditional songs in England. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer, plus links and connections to Library of Congress collections. Martin Carthy has been a leading figure in the revival of English folk music since the 1960s. He has been a member of many iconic formations, including the duo of Martin Carthy and Dave Swarbrick, the a cappella harmony group The Watersons, the pioneering electric folk-rock groups Steeleye Span and the Albion Band, the groundbreaking folk and brass combo Brass Monkey, and the acoustic folk groups Waterson: Carthy and Wood Wilson Carthy. He is also one of the most influential solo artists in folk music, with a guitar style emulated by practically all English folk guitarists since the 1970s. His versions of many traditional folksongs have become standards in the revival. He has also been influential in America: it was Martin who taught Paul Simon the traditional ballad “Scarborough Fair” in the 1960s. Martin has received every honor and accolade given for folk music in England, and has been awarded an MBE for services to Folk Music, roughly equivalent to receiving a National Heritage Fellowship in the United States.
Welcome back to Homegrown Plus! We're continuing the series with Spartimu, a vocal ensemble performing the haunting polyphonic vocal style native to their home island of Corsica. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured group, plus links and connections to Library of Congress collections. The Spartimu ensemble is devoted to traditional polyphonic singing as passed on in the oral traditions of Corsica. Their style and repertoire are based on deep research into the practice of the singing tradition known as “cantu in paghjella,” which is recognized by UNESCO as an important and endangered tradition (“intangible cultural heritage in urgent need of safeguarding”). The ensemble’s projects also encompass the repertoires of several other countries, stretching from Mediterranean Europe to the peaks of the Caucasus.
Welcome back to Homegrown Plus! We're continuing with a program of Shaker Spirituals in Maine with singer Brother Arnold Hadd, composer Kevin Siegfried, and the choral group Radiance. Like other blogs in the Homegrown Plus series, this one includes a concert video, a video interview with one of the singers, and connections to Library of Congress collections. However, this interview was extensive, and therefore we're presenting it in two separate videos! We hope that together the videos will give you a deeper understanding of the tradition of Shaker Spirituals.
