In celebration of Labor Day, we wanted to honor the contributions of women to all forms of labor, of both the past and present, and what better way to do that than through song. So we started looking back at our Homegrown Concert videos, of which many are available online, as well as our Archive Challenge series and other documented performances, to create a special concert video. The result is this compilation of performances by Thea Hopkins, the women's ensemble Ialoni, Martha González, Rachel Sumner and Traveling Light, Piper Hayes, and the group Windborne. They all feature the voices of women, with the support of their male colleagues. Watch and read about the Singing in Solidarity video in this post!
This guest post by Joe Z. Johnson, one of the American Folklife Center's 2023 Folklife Interns, announces a new research guide focused on African American banjo players by sharing the motivation behind the guide and highlighting some of the content.
For many years, the song "Booth" or "Booth Killed Lincoln" has been considered a prime example of a traditional ballad about a historical event. Telling in remarkable detail the story of John Wilkes Booth's assassination of President Lincoln in 1865, the ballad seems ripped from contemporary headlines. Bascom Lamar Lunsford, who sang the song for the Library of Congress in 1949, has been credited as the song's collector, and many sources indicate a date of about 1890 as the latest possible origin for the song, since Lunsford said he heard his father sing "some of the stanzas" to the fiddle tune "Booth." But is there another possible explanation of the song's origins? In this post, we'll look more closely at Lunsford's various recordings of "Booth," as well as unpublished primary-source and secondary-source evidence in the AFC archive, to try to piece together the birth of "Booth."
The American Folklife Center has recently acquired a five-string Fairbanks Vega banjo donated by musician, photographer, and filmmaker John Cohen before his death in 2019. The John Cohen banjo is extraordinary for three reasons: it is in itself a classic instrument, a beautiful example of a Fairbanks Vega banjo with a Whyte Laydie tone ring and an unusual tone projector; it belonged to John Cohen, one of the most significant figures in the revival of the five-string banjo; and it was often played by Roscoe Holcomb, a singular artist and crucial figure in American traditional music. Read more about the banjo's history, see pictures, and follow links to some video of the banjo being played, all in this blog post!
The American Folklife Center is delighted to announce the acquisition of the Missouri Friends of the Folk Arts collection from Julia Olin and Barry Bergey. The collection includes concert recordings of iconic blues and old time musicians like Henry Townsend and Robert Jr. Lockwood; festival performances from the Frontier Folk Festival; fiddling traditions from Ozark and Midwestern regions; and traditional arts documentation from around the state of Missouri. Communities documented include the French speaking towns around Old Mines, Native American communities, and several Spanish speaking communities. Bergey and Olin wrote this blog post to introduce the collection to researchers at the American Folklife Center.
