The authors of two new books, Sheryl Kaskowitz (A Chance to Harmonize: How FDR's Hidden Music Unit Sought to Save America from the Great Depression—One Song at a Time) and Catherine Hiebert Kerst (California Gold: Sidney Robertson and the WPA California Folk Music Project), return this week to the Library of Congress to discuss the remarkable New Deal folksong collecting career of Sidney Robertson (later known as Sidney Robertson Cowell), whose recordings are held in the American Folklife Center. In her work recording songs for the federal government during the mid- to late-1930s, Robertson captured a diverse and multifaceted soundscape of the Great Depression. The conversation will be moderated by American Folklife Center's Director Nicole Saylor and will include a selection of the songs from the collections. The event, which is sponsored by The John W. Kluge Center and the American Folklife Center at the Library of Congress, occurs Wednesday, June 26, 2024 at 4:00 pm EDT in room LJ 119 of the Thomas Jefferson Building. In this post, we'll fill you in on the event, the authors, and the books.
The American Folklife Center (AFC) at the Library of Congress is pleased to announce the 2024 recipients of its competitive annual fellowships and awards programs: the Archie Green Fellowship and the Gerald E. and Corinne L. Parsons Fund Award. This year, these awards went to six projects throughout the United States, whose proposals were reviewed and selected by internal and external panels at the American Folklife Center. Laurena Davis of Clifton, Colorado, received an Archie Green Fellowship for “Taking Stock: Ranching Women of Western Colorado.” Dr. Sarah Beth Nelson of Whitewater, Wisconsin, received Archie Green support for “Community Builders: Library Workers in Wisconsin.” Documentary filmmaker Sophie Dia Pegrum of Woodland Hills, California, received an Archie Green Fellowship for her project “Guardians of the Bees,” featuring interviews with beekeepers. Folklorist Kathryn Noval of Silver Spring, Maryland, received Archie Green funding for her research project “Professional Body Piercers in the 21st Century: Rooted in Passion.” Dr. Sophie Abramowitz, (Brooklyn, New York) received a Parsons Award to support onsite research in AFC collections for the expanded LP reissue of "Jailhouse Blues: Women’s a cappella songs from the Parchman Penitentiary, Library of Congress Field Recordings, 1936 and 1939." Finally, L. Renée, (Virgina), a poet and writer, received a Parsons Award to support her research on Black communities in coal mining and tobacco farming towns of Southwest Virginia and West Virginia.
We're back with another entry in the Botkin Plus series AND another episode of the Folklife Today podcast! In this entry, we'll provide the video of a Botkin Lecture and a podcast interview, both of them featuring Cormac Ó hAodha. Cormac is the most recent Lovelace Fellow (aka Lomax Scholar) at the Library of Congress's John W. Kluge Center. That's a fellowship established within the Kluge Center especially for the study of the Alan Lomax collection, one of the American Folklife Center's signature collections. Cormac comes from the village of Cúil Aodha in the Múscraí Gaeltacht of Co. Cork in Ireland, a recognized heartland of the Irish language and traditional Irish-language singing. He is conducting in-depth research on the material Lomax collected some 73 years ago from singers in the Múscraí singing tradition, the same singing tradition Cormac grew up in and is a part of. Some of the people recorded by Lomax are Cormac's relatives, and his research seeks to illuminate their songs, their language, and their traditions. Follow the link to the post, the video, and the podcast!
In or about 1942, Alan Lomax sketched out a draft or proposal for a children's picture book, "The Story of the Mighty Blue Goose." The book, which Lomax planned to have fully illustrated by an artist, was to be based on "The Grey Goose," a song he had recorded for the archive alongside his father in 1934. Lomax credited the singer as the book’s main author: “Iron Head” Baker, a Texas prison inmate and trusty who sang about 60 songs for the Lomaxes. In 1936, Baker was paroled and spent three months collecting songs across the South with John A. Lomax, returning to prison in 1937. Like many of Alan Lomax’s projects, the book appears to have been interrupted by World War II and his departure from the Library of Congress. This is a shame, because Lomax was clearly onto something. "The Story of the Mighty Blue Goose" would have been inspirational on several levels. An homage to African American culture credited to a Black man and his white assistants, it would have been an inspiring children's book and a significant accomplishment in the legacies of the Lomaxes and of Iron Head Baker.
