When William Main Doerflinger interviewed the retired sailor and shanty singer Patrick Tayluer in April, 1942, one of the topics he asked Tayluer about was shipwrecks. This is not surprising: ever since people took to the seas in ships, maritime folks have been fascinated and terrified by shipwrecks; shipwreck stories go back to the Middle Kingdom of Ancient Egypt. As it turned out, Tayluer had several stories about shipwrecks, which he told as first-person narratives, but which might not have happened exactly as he described. We’ll look at two of those stories in this post, exploring Tayluer's fascinating blend of fact and fiction.
Happy Holidays from the American Folklife Center! As in years past, we enlivened Library life last week with performances of a traditional Mummers play, updated for modern times. The title of this year’s play is "Keeping Cool and Dry for the Holidays: A Film Preservation Mumming," and it’s all about Film Preservation and the National Film Registry. It takes place at the Northpole Audio Visual Preservation Pavilion (NAVPP). St. George Bailey (It’s a Wonderful Life) is confronted by Connor MacLeod (Highlander series), who has a dastardly plan to get his terrible movies on the registry by undermining the preservation of all other films. The play includes Film Preservation Board members like Charlie Chaplin and Mary Pickford, some of our usual characters, and some surprises, including a reenactment of the “Let’s all go to the Lobby” song—which is actually on the real registry. Mummers’ plays are short 15-minute plays, traditionally performed in Britain, Ireland, North America, and the West Indies at holiday time, as the Mummers went from house to house and pub to pub, collecting food, drink, and small change as a reward for their entertainment. The American Folklife Center’s archive boasts one of the largest collections of English Mummers’ Play texts in the world, in its James Madison Carpenter collection. In this blog post you'll find the text of the play and lots of fun photos--plus a wealth of links to explore!
Most people know that Friday the 13th is considered an unlucky day. I had some fun researching the roots of this belief back in September, when the Library of Congress received a call from NPR requesting to interview me about Friday the 13th. Not surprisingly, I found facts and speculation, as well as intriguing new evidence. I also encountered what I often call metafolklore: folk stories about folk beliefs. In this post, we’ll look into what I found. From the Norse gods to the Knights Templar, from mathematics to religion, and from French plays to American horror movies, let's look at everyone's favorite day for bad luck.
Allow us to introduce Ozarks musicians Mark Bilyeu and Cindy Woolf (The Creek Rocks). The duo are our very first Artists in Resonance, and are here for a week of in-depth research. Mark and Cindy, who live in Springfield, Missouri, were chosen from among 22 applicants to the Center’s Artists in Resonance Fellowship. The fellowship is intended to support artists in creating new musical works inspired by and sourced from collection materials in the Center’s archives. During their fellowship, Cindy and Mark are focusing on the materials Sidney Robertson Cowell recorded in Missouri in 1936 and 1937 for the Resettlement Administration. According to the duo, the items in the collection from Springfield, despite probably being the earliest audio documents of folk music in and around that city, "seem to be virtually unknown to our local historical memory, save for but a very few figures immersed in the study of the Ozarks and its folklore." Their goal is to produce a full-length album of songs from the collection in new arrangements by The Creek Rocks. In this post you can read more about The Creek Rocks, find links to their work and to the other archival collections they’ve visited, and find out how to apply for future fellowships.
The latest episode of the Folklife Today podcast features award-winning singer-songwriter Thea Hopkins, a member of the Aquinnah Wampanoag Tribe of Martha’s Vineyard. Thea took the Archive Challenge, adapting songs from the American Folklife Center archive. On the first occasion she arranged and sang a Creek lullaby which, according to Creek elders, was created during the Trail of Tears. For her second challenge, Hopkins wrote new lyrics for the song “Red Wing,” which originally contained damaging stereotypes of Native Americans. The new lyrics pay homage to pioneering Native film actress Lilian St. Cyr, who was known as “Red Wing.” In the episode, Thea discusses her process and the meanings of the songs with AFC staff members Stephen Winick, Jennifer Cutting, and Meg Nicholas; Meg, a fellow Folklife Today blogger, is one of the American Folklife Center’s specialists in Native song, and affiliated with the Munsee-Delaware Nation in southwest Ontario. The episode features the field recordings of both songs, as well as Thea’s new versions, and a fiddle tune by Chippewa fiddler Mary Trotchie. The blog post features the link to the podcast, full audio of most of the source songs, as well as relevant links to Native American resources and Archive Challenge tools.
Patrick Tayluer, the retired sailor who recorded 79 sea shanties, ballads, and stories for the Library of Congress in 1942, was fascinated by Australia. In this post we present several of his Australian songs and stories. We also recount his epic 7500 kilometer walk across the continent from late 1929 to early 1931. The post includes audio of two songs, including a bushranger ballad never collected from any other source.
This post continues Stephen Winick's series on the sea songs of Patrick Tayluer, and finishes the story of "The Leaving of Liverpool," the lyric lament of a nineteenth-century mariner who leaves his hometown of Liverpool for San Francisco. In this post Steve outlines how the song became a major part of the folk revival, and gives links to versions and adaptations performed and recorded by everyone from the Clancy Brothers to the Kingston Trio and Ewan MacColl to Bob Dylan. He asks what can be learned from Patrick Tayluer's version of the song. Finally, he provides a fragmentary recording of the song from 1942, sung by a woman, and discusses who the mystery singer might be!
We're back with another episode of the Folklife Today podcast! In this latest Halloween episode, John Fenn and I continue our discussion with Hanna Salmon about the new Research Guide "Folktales and Oral Storytelling: Resources in the American Folklife Center Collections." Then we introduce some of our favorite spooky stories: the ghost legend "The Vanishing Hitchhiker" as told by students Marty Weathers and Bill Henry of Georgia; the witch story "Skin, Don't You Know Me" as told by master storyteller J. D. Suggs of Mississippi and later Michigan; and the truly spooky tale of "The Two White Horses," told by the great Connie Regan-Blake, a leading Appalachian storyteller who has lived in Tennessee and North Carolina among other places. Of course, in addition to some chat about the tales, the episode showcases the stories themselves. This blog post shows you how to find the podcast and gives you some additional background on the stories and storytellers. So prepare for a scare and give us a listen!
The latest post in the Homegrown Plus series features the Skye Consort and Emma Björling, an eclectic group performing British, Irish, Canadian, and Scandinavian music and songs in a variety of traditional and modern styles. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections.
