The latest post in the Homegrown Plus series features Ensemble Sangineto, one of the most popular groups on the Italian folk scene. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections. The ensemble Sangineto is comprised of three talented singers and instrumentalists. Adriano and Caterina Sangineto are twins -- Adriano plays Celtic harp and Caterina plays bowed psaltery. Jacopo Ventura rounds out the trio on guitar. The group sings in three-part harmony, with Caterina's clear voice taking the lead. The Sanginetos are children of a world-renowned luthier who has spent years crafting instruments for some of the leading folk and early music performers, so their childhood was spent meeting and listening to such musicians as Derek Bell of the Chieftains and Alan Stivell, a foundational artist of the Breton music revival. Ventura is a conservatory trained classical guitarist who has branched out to play many of the stringed instruments common in European and Asian folk music. Their concert takes you on a trip through Italy via a traditional song from each region, with medieval, Celtic, jazz, and contemporary stylings among others, thrown in for good measure.
In the interview, we learn about their lives and the world of Italian folk music.
This post presents several folktales from the Bahamas focusing on the adventures of the tricky, resourceful folktale hero Jack. We’ll see Jack escaping from the giants by charming them with his musical instrument and witness his courtship with the Devil’s daughter, Greenleaf. Like most Bahamian folktales, these stories contain complex wordplay and have songs embedded in the tales. The two tales here are very distinctively part of the Jack tale tradition, which must have been brought to the Bahamas with English settlers, but they also have African and other elements springing from their complex Caribbean roots. They were recorded by Alan Lomax and Mary Elizabeth Barnicle in 1935.
The latest post in the Homegrown Plus series features Boots Lupenui and the Kohala Mountain Boys performing heritage songs of the Kohala region of the Big Island of Hawai’i. Led by Boots Lupenui, the Kohala Mountain Boys are committed to uncovering and preserving musical treasures that helped to define the moku of Kohala on Hawai'i Island. In Boots's words, "Old-time Kohala music is soulful, playful, poetic and fierce, the manifold voice of a vibrant and extraordinary people. We want to recover and share the heirloom songs currently known only to a few isolated and precious old voices, their words and tunes unsung for years. The ancient musical essence of our beloved and mystical Kohala may be lost in this generation. Reclaiming our heirloom songs strengthens our ancestral ties to our homeland. It is a source of pride that can be shared by all the families and all the people of Kohala, for generations to come." Lupenui and his team were the recipients of a Community Collections Grant to document songs written by Kohala residents which might otherwise be lost; the collection is online at the Library of Congress website. This concert provides another way to experience these songs. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections, as well as Boots's finished documentary film about documenting the heirloom songs of Kohala.
Welcome to our latest post in the Homegrown Plus series, featuring Louis Michot and Leyla McCalla, an outstanding duo performing traditional French-language music from Louisiana. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections. Louis Michot is a fiddle player and lead singer for the Grammy-award-winning Lost Bayou Ramblers. In addition to fiddle and vocals, Louis plays guitar, bass, ti-fer (triangle), and accordion--all the instruments of a typical Cajun band. Leyla McCalla was born in New York City to Haitian emigrants and activists. McCalla is a master of the cello, tenor banjo, and guitar, as well as a multilingual singer and songwriter. She is a founding member of Our Native Daughters and has appeared at the Library of Congress as a member of the Grammy-award-winning Black string band The Carolina Chocolate Drops. This event spotlights the New Orleans-based Nous Foundation and their Community Collections Grant project, "La Musique Nous Réunit: Documenting Louisiana French Music."
A few weeks ago we published two blog posts introducing the American Folklife Center's rich folktale collections. We focused on "Jack Tales," those stories telling the adventures of a tricky, resourceful young man named Jack. We included audio of many Jack tales within those posts, but length limitations prevented us from embedding the texts of the stories as well. So, to make the stories more accessible to a wider audience, we'll be posting a few blogs with transcriptions of some of the stories we presented in those blogs. We'll begin with "Jack and the Northwest Wind," as told by Maud Long.
The American Folklife Center is excited to announce the online availability of an excellent fieldwork collection of interviews and videos of cultural events created through its Community Collection Grants (CCG)! “Lao Buddhist New Year Festival in Southern Louisiana,” documents the Louisiana Lao New Year Festival presented in 2022 by Wat Thammarattanaram, a Buddhist temple and monastery in Broussard (Iberia Parish), Louisiana. A community-based research team conducted interviews and captured video of events, ceremonies, and celebrations. Find links to the collection in this blog post.
The American Folklife Center at the Library of Congress today launched its seventh season of “America Works,” an original podcast series that honors the creativity, resilience, and dedication of the 168-million-strong American workforce. The new season focuses on workers whose jobs involve animals – from sustainable farmers to a fishing shop owner to a taxidermist as well as a port sampler who measures fish and a trash hauler who uses draft horses. The eight-episode series, part of the American Folklife Center’s ongoing Occupational Folklife Project, introduces audiences to a wide range of voices from the contemporary American workforce. Each episode, excerpted from a longer full-length oral history interview, runs approximately five minutes. The first episode is available now on Apple Podcasts and at loc.gov/podcasts. Subsequent episodes will be released each Thursday through June 5th. This blog post provides an overview of the season and a preview of upcoming episodes.
Join us as we continue to explore Jack tales! Jack tales are adventure stories in which Jack is faced with various forms of adversity, and uses his wits and luck to win the day. Some of these stories feature magical elements such as silver swords and flying ships, but in others Jack uses only his brains, his hands, and his meager possessions. From the earliest Jack tale, a slightly bawdy medieval story, to the famous "Jack and the Beanstalk," and beyond to other tales, we'll look at old world and new world elements of the stories. Audio of three stories is embedded, with links to many more audio and text versions of traditional Jack tales.
An overview of "Jack tales" in the collections of the American Folklife Center. The phrase refers to a loose cycle of adventure stories featuring a young hero, most often named Jack, who makes his way in the world with cleverness and wit. This post introduces the genre and presents five tales told by four tellers: Samuel Harmon, Maud Long, Nora Hicks, and Ray Hicks, who all come from the same extended family.
