Halloween and Día de Muertos are almost here! So, believe it or not, Season 4, Episode 1 of the Folklife Today Podcast, our 2021 Halloween and Día de Muertos episode, is ready for listening! It features interviews about the Weeping Woman, La Llorona, a spirit from Latin American folklore, plus related songs and stories. The people interviewed are Juan Díes, leader of the Sones de Mexico Ensemble, Camille Acosta, who wrote her masters thesis on La Llorona before interning at AFC, and Allina Migoni, AFC's Latinx subject specialist. This blog contains links to download the podcast, background on our guests, and links to full audio of the songs.
This is the fourth blog post in a series about La Llorona, the Weeping Woman, a spirit that haunts the folklore of Mexico and other Latin American countries. We'll present comments on the legend by the writer Rudolfo Anaya, the scholar Domino Renee Perez, our former intern and Llorona expert Camille Acosta, pioneering Costa Rican writer Manuel Argüello Mora, and Esperanza Sernas, a restaurant worker interviewed in 1977 by fieldworker Philip George for AFC's Chicago Ethnic Arts Project. This blog also contains one of the most gruesome traditional descriptions of La Llorona we've seen so far! The whole series will be published in time for Día de Muertos (aka Día de los Muertos) 2021, so stay tuned....
Summer is over, and autumn is here. That means the Homegrown 2021 concert series is also drawing to a close. We put a selection of songs from the series on the Folklife Today podcast, with commentary from me, John Fenn, series producer Thea Austen, and AFC interns Kennedi Johnson and Camille Acosta. That way, if you haven't had a chance to watch the videos, you can download and listen wherever you like to hear your podcasts. As usual, there are links to the podcast itself, plus links to relevant blog posts, videos, and audio selections in this post.
Recently, the American Folklife Center received a generous donation from the estate of Peter Bartis, a former AFC staff member, to support our internship program. In this post, we express our appreciation to the Bartis family and detail the excellent work of our former interns, who were supported by previous financial contributions.
The American Folklife Center is pleased to announce the selection of three summer interns who will work on public programs, outreach activities and descriptive access work. One intern comes to us from the Utah State University folklore studies program, and two are supported by the AFC Internship Fund. Hanna Salmon is a PhD candidate in Ethnomusicology at the University of Texas at Austin. Her research examines how Palestinian storytellers foster affective atmospheres through their performances. Maggie Jones has just graduated magna cum laude from First Nations University of Canada’s Indigenous Languages Program with a Bachelor of Arts in Linguistics. They have an interest in Algonquian languages, Indigenous oral history, language revitalization, and journalism. Melanie Kimball is earning an MA in folklore studies at Utah State University. Her research interests include supernatural legends, folk beliefs, vernacular religion, and ethnomusicology. Her thesis investigates how people use music as an apotropaic and folk remedy for fear. Since 2017, the AFC Internship Fund has supported 12 paid internships. It was started by a generous donation from the late Peter Bartis, a former staff member. As the American Folklife Center approaches its 50th anniversary in 2026, we are committed to building this fund to help train a new generation of cultural workers.
La Llorona, the Weeping Woman, is a spirit that haunts the folklore of Mexico and other Latin American countries. In some versions she's a ghost, but in others she's an immortal wanderer, not dead but not really alive either. So far in the series, we've introduced the legend, given some of its history, explored songs related to La Llorona, and discussed the story's role in growing up. Now, we present a telling of the tale. The post contains audio and a transcript of a performance by Joe Hayes, one of the best known storytellers from the American southwest. Hayes's bilingual Spanish-English storytelling has earned him a distinctive place among America’s professional storytellers.
This is the second blog post in a series about La Llorona, the weeping woman who haunts Mexican and other Latinx cultures. The series will be published in time for Día de Muertos 2021. In this post, I'll show some of the story's long history, especially in Mexico. I'll give links to primary sources from the 1570s showing the story was already present among Indigenous Mexicans at that time and earlier. I'll also present what I believe is new evidence of a strong link for some La Llorona stories with Spain.
To celebrate Hispanic Heritage Month, we are happy to announce the newest addition to the growing group of AFC story maps. Tonada del País: The American Folklife Center’s Juan B. Rael Collection was co-produced with 2021 Folklife Intern Camille Acosta and John Fenn. Click here to view the Tonada del País Story Map Drawing on …
In Latin America, in Spanish-speaking communities in the U.S., and especially in Mexico, no ghost story is told as often, discussed as enthusiastically, or interpreted as widely, as the legend of La Llorona. With this introduction, AFC kicks off a short series of blogs on La Llorona stories and songs between now and Día de Muertos