Welcome back to Homegrown Plus! We're continuing with a program of Shaker Spirituals in Maine with singer Brother Arnold Hadd, composer Kevin Siegfried, and the choral group Radiance. Like other blogs in the Homegrown Plus series, this one includes a concert video, a video interview with one of the singers, and connections to Library of Congress collections. However, this interview was extensive, and therefore we're presenting it in two separate videos! We hope that together the videos will give you a deeper understanding of the tradition of Shaker Spirituals.
Our latest podcast looks at three “Hidden Folklorists” from Louisiana with special guest Joshua Clegg Caffery from the Center for Louisiana Studies at the University of Louisiana Lafayette. The Hidden Folklorists are Becky Elzy and Aberta Bradford, two spiritual singers who had been born in slavery, but who years later sang over a hundred spirituals for collectors; and E.A. McIlhenny, the head of the Tabasco Sauce company, who first collected their spirituals into a book. We recount details of how a microfilm of unique, unpublished manuscript spirituals by Bradford and Elzy came to be part of the American Folklife Center archive, and how Bradford and Elzy came to be recorded on audio discs for the Library of Congress by Alan Lomax in 1934, with the resulting recordings also coming to the AFC Archive. It’s an amusing story in which the 19-year-old Alan Lomax is forced to leave his father, the seasoned collector John A. Lomax “by the side of the road” and drive 40 miles with the 73 year old Bradford to try to find the 82 year old Elzy so they can sing together for the Library’s recording machine. The episode also presents several of their spirituals, and ends with the very moving recording of two women who had been born in slavery singing “Free at last, free at last, thank God almighty, got free at last!”
When I was a child, in about 1960, I remember two of my father’s cousins getting into an animated discussion about Marian Anderson and the time they resigned from the Daughters of the American Revolution (DAR). Although I was not old enough to understand the event they were talking about, it made a strong impression. …
This blog post about the hidden spirituals sung by Becky Elzy and Alberta Bradford for E.A. McIlhenny is part of a series called “Hidden Folklorists,” which examines the folklore work of surprising people, including people better known for other pursuits. In preparing this post, I was greatly aided by Shane K. Bernard, the archivist at …
This blog post about the “Two Sweet Singers” Becky Elzy and Alberta Bradford is part of a series called “Hidden Folklorists,” which examines the folklore work of surprising people, including people better known for other pursuits. In preparing this post, I was greatly aided by Shane K. Bernard, the archivist at Avery Island in Louisiana, …
In this post we look at the life and legacy of Joe Hickerson, longtime employee and head of the Archive of Folk Culture, who passed away on August 17, 2025. Joe was well known as a folklorist, archivist, ethnomusicologist, and folksinger. He was an important public face for folklore and folk music, and his passing will be seen as the end of an era among folk music enthusiasts, as well as for those of us at the American Folklife Center.
Recently, the American Folklife Center published a new collection from the Occupational Folklife Project, which features 16 interviews with religious workers in Kentucky and Indiana. In this post, Senior Folklife Specialist Nancy Groce interviews folklorist Taylor Dooley Burden, who created the collection with support from an Archie Green Fellowship from the American Folklife Center.
Welcome to the latest post in the Homegrown Plus series, featuring bluegrass quartet The Henhouse Prowlers. After two decades of touring and performing, the Henhouse Prowlers proudly look to the future, expressing their passion for music and humanity. Banjoist Ben Wright and upright bassist Jon Goldfine have been the heart of the band since its inception, while guitarist Chris Dollar and mandolinist Jake Howard (who joined 7 and 5 years ago respectively) bring fresh energy to the band's sound. The Prowlers approach music with a reverence for tradition coupled with willingness to explore beyond the ordinary. In their concert, they apply their trademark four-part harmonies to classic country and bluegrass, as well as modern Americana. In the interview we talk about their music, their history, and their activities with the U.S. State Department and their own nonprofit, Bluegrass Ambassadors, through which they have been able to take American music around the globe.
This blog highlights a new episode of the Folklife Today podcast, which explores an important collection of Gullah Geechee sound recordings in the archives of the American Folklife Center. The collection features over four hours of Gullah Geechee people singing sacred music, preaching to congregations, and giving testimonies in 1955 and 1956. Courtney Siceloff, then-director of Penn Community Services, recorded this collection at community centers and churches across St. Helena Island, South Carolina. Dr. Eric Crawford, Interim Chair of the Music Department at Claflin University and the author of Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (University of South Carolina Press), joins this episode to contextualize these recordings and to inform listeners about the people who made them.
