Episode seventeen of the Folklife Today Podcast (or Season 2, Episode 5) is ready for listening! In the episode, John Fenn and Stephen Winick talk about a campaign called "The Man Who Recorded the World: On The Road with Alan Lomax." It's an effort to crowdsource transcriptions Alan Lomax's fascinating field notes. Through this campaign, you can help out the Library of Congress and music fans worldwide by increasing access to Lomax's field notes through transcribing and reviewing pages. Anyone can get involved at the link provided in the blog. The podcast and blog feature music from throughout Lomax's career as well as descriptions of his notes.
In the week or two before Christmas, staff members of the American Folklife Center engage in a dramatic, comedic, and musical performance that tours the halls of the Library of Congress. The performance is based on traditional mummers’ plays, and allows us to put our research skills into play alongside our more playful impulses. This year, we realized we couldn't perform our mummers’ play live, because of the COVID-19 pandemic. We didn't want to let the pandemic defeat us, though, so we decided to do our play anyway--just in a different way. We've been recording our podcast, Folklife Today, remotely throughout the pandemic, we reasoned. So why not do the mummers' play as a podcast episode, sort of like an old-time radio play? The audio, play script, and photos are all here in this blog!
Time is getting short before Halloween, so we’re combining two announcements in this one blog post! First of all, as our readers may remember, we’ve been working with No Depression, The Journal of Roots Music, which is published by the nonprofit Freshgrass Foundation. They’re publishing a column called Roots in the Archive, featuring content from the …
In his book The Folk Songs of North America, in an introduction to one of the American Folklife Center's finest songs about the Devil, Alan Lomax wrote:
Early America saw the Devil as a real and living personage. Rocks in New England were scarred by his hoofprints, as he carried off maidens, screaming and howling, over the hills, or came after the men who had sold their souls to him in return for money or success. […] A mountain woman tells of the last moments of her mean old husband…’I knowed he war goin’, because all the dogs from fur and nigh come around and howled. Hit wur a dark night. But plain as day, comin’ down yon side the mountain, through the bresh so thickety a butcher knife couldn’t cut hit, I seen the Devil a-comin’. He war ridin’ a coal-black cart, drivin’ a coal-black oxen. The cart come down to the door and stopped. When it come, it come empty. But when it went away, hit had a big black ball in it that war Arzy’s soul. […] Lomax's passage serves as a fine and atmospheric introduction to our own Halloween exploration of the Devil in folksongs from the American Folklife Center archive!
It’s late October, and here at Folklife Today that means we’re getting ready for Halloween! This post is a haunted hayride of traditional songs featuring ghosts, goblins, faeries, and elves.
Attention college and university teachers and students! The American Folklife Center is planning to enhance and expand its outreach to higher education, making our resources more accessible than ever before to the college and university community. This is especially important as higher education adapts to increased demand for remote and online teaching brought about by …
Every day this week at noon Eastern time, you can listen to, and sing along with, a respected musician performing a song from the American Folklife Center archive at the Library of Congress. That’s because this week, the American Folklife Center is working with the Daily Antidote of Song, a daily online concert and singalong …
As our readers may remember, we've been working with No Depression, The Journal of Roots Music, which is published by the nonprofit Freshgrass Foundation. They're publishing a column called Roots in the Archive, featuring content from the American Folklife Center and Folklife Today. The latest Roots in the Archive column is about the Arlo Guthrie birth announcement, a fantastic manuscript item from the Alan Lomax Collection. The Arlo Guthrie birth announcement is a handwritten, illustrated letter created by Woody Guthrie to announce the birth of his son Arlo. It was sent by Woody to his friend Alan Lomax in 1947. Typed and embellished with finger-painted lettering, the announcement is in the form of a handmade greeting card, a single sheet folded in half to form a front and back cover and a center spread. The front consists of stylized line art representing a mother and baby, a greeting to the Lomax family, and the name "Arlo Guthrie," painted in several different styles and colors. The back consists of the words "Here I Am" in large painted letters. Both sides bear the date, and the name "Arlo Guthrie" written in Woody’s handwriting. Read more about it at the link!
The column also features the whimsical text of the birth announcement, which is written in the voice of baby Arlo, and my own thoughts on this one-of-a-kind manuscript. Of course, the American Folklife Center also has many more resources related to Woody Guthrie, and you can find out more about those in the column too.
The American Folklife Center (AFC) at the Library of Congress is pleased to announce the 2020 recipients of its three competitive annual fellowships and awards programs: the Archie Green Fellowships, the Gerald E. and Corinne L. Parsons Fund Award, and Henry Reed Fund Award. This year, these three awards went to twelve projects throughout the …
