Welcome to the latest post in the Homegrown Plus series, featuring bluegrass quartet The Henhouse Prowlers. After two decades of touring and performing, the Henhouse Prowlers proudly look to the future, expressing their passion for music and humanity. Banjoist Ben Wright and upright bassist Jon Goldfine have been the heart of the band since its inception, while guitarist Chris Dollar and mandolinist Jake Howard (who joined 7 and 5 years ago respectively) bring fresh energy to the band's sound. The Prowlers approach music with a reverence for tradition coupled with willingness to explore beyond the ordinary. In their concert, they apply their trademark four-part harmonies to classic country and bluegrass, as well as modern Americana. In the interview we talk about their music, their history, and their activities with the U.S. State Department and their own nonprofit, Bluegrass Ambassadors, through which they have been able to take American music around the globe.
The exciting old time duo The Creek Rocks, the recipients of the 2024 Artists in Resonance Fellowship from the American Folklife Center at the Library of Congress, bring old songs back to the Library in shiny new arrangements! Accomplished singer and banjo player Cindy Woolf and veteran guitarist and singer Mark Bilyeu established the group in 2015. Much of their work has been interpreting the traditional music of the Ozarks region. The Artists in Resonance Fellowship provided Cindy and Mark the opportunity to immerse themselves in the field recordings of folklorist Sidney Robertson Cowell, who in December 1936 and January 1937 visited communities in the Missouri and Arkansas Ozarks. The Cowell recordings in the American Folklife Center’s archive serve as the source material for this concert, as well as The Creek Rocks' current album-length recording project. This blog presents the concert along with an interview in which we talk with them about their fellowship, their music, and their use of archival sources.
In 2020, singer-songwriter Crys Matthews participated in the American Folklife Center’s Library of Congress/Folk Alliance International Archive Challenge in New Orleans. The song she selected was “How I Long for Peace,” a song written by Peggy Seeger and sung by Seeger during her concert at the Library of Congress in 2007. Matthews adapted the song for the Archive Challenge, taking inspiration not only from Seeger, but from the spirituals and freedom songs she had heard in church growing up. The song was a highlight of the Archive Challenge that year, so much so that Matthews continued singing it. A few years later, she suggested a collaborative recording of the song to Rhiannon Giddens, a groundbreaking performer and another friend of AFC, who has received a Grammy Award, a Pulitzer Prize, and a MacArthur “Genius” Fellowship, among other accolades. Matthews and Giddens, along with the Resistance Revival Chorus, released their version in 2024. Mostly by coincidence, Peggy Seeger, who had never released an official recording of the song, revisited it in 2021. In this blog, we’ll present the story of this special archive challenge, with Crys Matthews’s Archive Challenge video embedded, and links to the Peggy Seeger version from 2007, the version with Rhiannon Giddens and the Resistance Revival Chorus, and Peggy Seeger’s 2021 interpretation.
The American Folklife Center is excited to announce that we’re bringing our Archive Challenge model to the Smithsonian Folklife Festival, both on the National Mall and streaming live on YouTube! Our good friends and colleagues across the Mall have cooked up a great festival on the theme of “Youth and the Future of Culture.” As part of the festivities, we’ve engaged 8 groups of young musicians to learn pieces from the Archive of Folk Culture and play them on the festival’s main stage. Youth Archive Challenge sets will occur on July 2, 4, 5, and 7 and will feature Irish American tunes, Hungarian folk dance, Anglo American traditional ballads, American old-time music, Persian Classical music, multiethnic street songs, Bulgarian folk music, and Caribbean steel pan—with a special appearance by frequent Festival and Homegrown artist Christylez Bacon. Find links to the schedule and the streams, as well as information on the performers, in this post!
The latest items to catch my ear in the Archive of Folk Culture are two reels of recordings of Eunice Yeatts McAlexander, a ballad singer who was recorded in 1978 as part of AFC's Blue Ridge Parkway Folklife Project. McAlexander, who passed away in 1990, had many wonderful versions of traditional ballads brought over to Appalachia from Britain, and she's a great source for unusual ballad texts. In addition to traditional ballads like “The Two Sisters,” “Little Massie Grove,” and “Lord Bateman,” she also sang nursery rhymes and lullabies for the collector, Wally Macnow. This blog post provides a little background on the singer and her songs, and embeds the digitized reels, photos, and detailed tape logs so you can listen and follow along.
Rachel Sumner and Traveling Light, a trio from the Boston area playing bluegrass and old time music, are the latest entry in our Homegrown Plus series, in which we include a concert video, an interview video, and a set of links to explore. You'll find it all in this post...along with a bonus song video! Singer, multi-instrumentalist, and Lennon Award-winning songwriter Rachel Sumner is a fixture of the Boston roots and Americana scene. She fronts the trio Traveling Light on vocals, guitar and banjo, with Kat Wallace on fiddle and Mike Siegel on upright bass. Together they specialize in applying their deeply rooted bluegrass know-how to new interpretations of traditional folk songs and tightly crafted original songs written by Sumner. The band has previously participated in our Archive Challenge at Folk Alliance International and contributed a song to our special Labor Day presentation in 2003. In this concert they made a special effort to play some songs that are part of the American Folklife Center archive, making this another entry in the Archive Challenge as well.
Watch Natalie Merchant’s June 15 sing-along concert at the Library of Congress right here on the blog! The singer, songwriter, activist, and folklife advocate helped the Library mark the opening of the new David M. Rubenstein Treasures Gallery with a very special Family Day sing-along presentation. Around the sing-along and her evening concert, she spent a week in residence at the Library doing research, meeting with staff, and participating in the gallery opening and June Family Day activities. Natalie Merchant, who has remained one of America's most literate and literary pop stars since her days with the band 10,000 Maniacs in the 1980s and 1990s, is also an enthusiast and advocate of traditional folk music and a member of the American Folklife Center's Board of Trustees. In this important leadership and advisory role, she spends time imagining new ways to help the Center further its mission--including this sing-along. Alongside a few of her own compositions, the sing-along featured mostly traditional folksongs which have connections to our unparalleled archival collections. In this blog, you can watch the sing-along itself and then explore these archival connections, including source recordings, photographs, links, and the stories behind the songs.
We’re very happy to invite applications for our brand new Artist in Resonance Fellowships at the AFC to support artists in creating new musical works inspired by and sourced from collection materials in the American Folklife Center Archives. One Fellowship of $10,000 will be awarded annually by the American Folklife Center. The deadline for the first Artists in Resonance award is April 5, 2024. In this blog post you'll find links to help you apply, as well as the story of the founding of the fellowship with the help of the late Mike Rivers.
Welcome back to Homegrown Plus! We're continuing the series with a concert and interview featuring Grammy Award winning American Roots artists Cathy Fink & Marcy Marxer together with accomplished Chinese classical hammered dulcimer player Chao Tian. The trio's repertoire includes traditional Chinese and Appalachian music as well as contemporary and traditional music from around the world. They use instruments that include yangqin (Chinese hammered dulcimer), gourd banjo, five-string banjo, ukulele, guitars, dumbek, cello-banjo and mandolin, employing them in unusual combinations to create exciting new arrangements of old music. Cathy and Marcy join Chao in singing Chinese songs, and Chao easily adds her love of American Old-Time music to fiddle tunes and songs. As usual with Homegrown Plus blogs, you'll find the concert video, an interview video, and a wealth of links to related collections and concerts, all right here in this blog post.
