We're continuing the Homegrown Plus Premiere series with The Chosen Few, a Virginia gospel group that stands firmly in the great tradition of unaccompanied religious singing by African American residents of the Tidewater region of the mid-Atlantic states. As is usual for the series, this blog post includes an embedded concert video, an interview video, and a set of related links to explore!
Watch Natalie Merchant’s June 13 concert at the Library of Congress right here on the blog! The singer, songwriter, activist, and folklife advocate helped the Library mark the opening of the new David M. Rubenstein Treasures Gallery with a very special "Live! at the Library" concert presentation. Around the concert, she spent a week in residence at the Library doing research, meeting with staff, and participating in our June Family Day activities. Merchant, who fronted the band 10,000 Maniacs during its most successful years and went on to a solo career of sustained depth and brilliance, is also a member of the American Folklife Center's Board of Trustees. Alongside a few of her own compositions, the concert featured mostly traditional folksongs which have connections to our unparalleled archival collections. In this blog, you can watch the concert itself and then explore these archival connections, including source recordings, photographs, links, and the stories behind the songs.
On April 10, 2024, Dr. Melissa Cooper (Associate Professor of History, Rutgers University-Newark) presented a fascinating lecture on Gullah Geechee cultural history at the Library of Congress, as part of the American Folklife Center's Benjamin A. Botkin Lecture Series. In this post, we highlight the video recording of Cooper's lecture and an oral history interview with Cooper, conducted by American Folklife Center staff members.
We're continuing the Homegrown Plus series with an entertaining and educational concert and interview by Reverend Robert B. Jones, Sr., an inspirational musician and storyteller celebrating the history, humor, and power of American roots music. His deep love for traditional African American and American music is shared in live performances that interweave timeless stories with original and traditional songs. For more than thirty years Robert has entertained and educated audiences of all ages in schools, colleges, libraries, union halls, prisons, churches and civil rights organizations. He brought that inspiration here to the Library of Congress on February 15, 2024, as part of the Homegrown series as well as the series "Live! At the Library," and as part of our celebrations of Black History Month. As an ordained minister and a Baptist pastor, Rev. Jones has an unwavering faith the cultural importance of sacred and traditional American roots music. At the heart of his message is the belief that our cultural diversity is a story that we should celebrate, not just tolerate. This concert included blues, spirituals, gospel, rock, and even a touch of hip hop, delivered with voice, acoustic guitar and harmonica. Watch for the special sequence in which Rev. Jones is joined by his wife Sister Bernice Jones, his daughter Arnecia Jones, his son Robert Jones II (aka R.J.), and his daughter-in-law, R.J.'s wife, Sister Rosa Warner Jones. As usual for this series, you’ll find a concert video, an interview video, and a set of links to explore.
It's time for another Classic Edition of Homegrown Plus! Embedded in this blog post, you'll find two concert videos (from 2009 and 2013) with the Northern Kentucky Brotherhood Singers, a 2013 interview video, and a set of links to explore. The Northern Kentucky Brotherhood Singers, which since those days has shortened its name to the Brotherhood Singers, is a jubilee-style, a cappella, sacred gospel quartet from Covington, Kentucky. Over 30 years ago, Ric Jennings formed the quartet out of the renowned Ninth Street Baptist Church Men's Choir. Since the beginning, this community-based quartet has sung in churches, at special gospel programs, anniversaries, song services, and other sacred music events. In addition to continuing the traditional community role of the gospel quartet, the Brotherhood has expanded their reach to a global audience, performing both spiritual and secular songs. Enjoy their music in these classic videos!
This interview by AFC staff member, Guha Shankar, with Sarah Bryan, Executive Director of the cutural arts organization, the Association for Cultural Equity (ACE), highlights ACE's work in producing a range of programs and publications that raise public awareness of the richness and diversity of global expressive culture. ACE works in collaboration with the Library in several areas. particularly initiatives that center on the merican Folklife Center's seminal Alan Lomax collecton of world music, song and dance recordings.
We’re very happy to invite applications for our brand new Artist in Resonance Fellowships at the AFC to support artists in creating new musical works inspired by and sourced from collection materials in the American Folklife Center Archives. One Fellowship of $10,000 will be awarded annually by the American Folklife Center. The deadline for the first Artists in Resonance award is April 5, 2024. In this blog post you'll find links to help you apply, as well as the story of the founding of the fellowship with the help of the late Mike Rivers.
In this sixth post about the Green Man, a figure of British and European folklore, we suggest the figure, while it had roots in pagan belief and iconography, had by the Middle Ages become a Christian image. In this post we look at pagan antecedents, including the Roman god Silvanus and foliate heads found on Roman temples. We also carefully examine the 1939 statements of folklorist Lady Raglan concerning the Green Man's status as an old pagan image with a new meaning in its Christian context.
The American Folklife Center (AFC) has published a new research guide, highlighting collections materials related to shape-note singing and Sacred Harp traditions in the United States. Read this post by Deena R. Owens, the guide's creator and a former AFC intern, to learn more about the research guide, the shape-note singing tradition, and Owens' experiences with this musical culture.
