These days, it’s hard to make it through December in the U.S. without encountering Krampus. Hairy, scary, hoofed, and horned, the devilish character is wildly popular from coast to coast. Across the country, hundreds of events feature Krampus, including parades, “runs,” Christmas markets, and even mall photo-ops. Books, magazines, movies, and comics highlight his history and his adventures. But American Krampus is entirely a 21st century phenomenon. As recently as 2000, the Library of Congress had not a single book about Krampus in English. So just who is Krampus, and where does he come from? We’ll take a look at the medieval origins and modern development of Krampus in this blog.
Welcome to the latest post in the Homegrown Plus series, featuring bluegrass quartet The Henhouse Prowlers. After two decades of touring and performing, the Henhouse Prowlers proudly look to the future, expressing their passion for music and humanity. Banjoist Ben Wright and upright bassist Jon Goldfine have been the heart of the band since its inception, while guitarist Chris Dollar and mandolinist Jake Howard (who joined 7 and 5 years ago respectively) bring fresh energy to the band's sound. The Prowlers approach music with a reverence for tradition coupled with willingness to explore beyond the ordinary. In their concert, they apply their trademark four-part harmonies to classic country and bluegrass, as well as modern Americana. In the interview we talk about their music, their history, and their activities with the U.S. State Department and their own nonprofit, Bluegrass Ambassadors, through which they have been able to take American music around the globe.
We're continuing the Homegrown Plus series with a classic from a few years ago with our good friend Dom Flemons, who performs and records as The American Songster. Back in 2020, Dom performed in the Homegrown at Home concert series, the pandemic-era version of Homegrown, in which artists submitted video concerts and we premiered them online. Dom Flemons, a Grammy award winner with the Carolina Chocolate Drops, a four-time Grammy nominee, and a two-time Emmy nominee, was by no means a stranger to AFC. We first met him when he came in to do research in the Archive in 2007, which means that for almost 20 years he's been accessing and interpreting field recordings from our archive. Because of this, his repertoire includes many songs and tunes he learned from recordings of master musicians in the American Folklife Center archives. Appropriately, he was also the first artist featured in the Center's inaugural Archive Challenge in 2015. Dom approached the concert as an Archive Challenge opportunity, so all the songs have a connection to the AFC archive. As usual for this series, you’ll find a concert video, an interview video, and a set of links to explore.
The American Folklife Center is excited to announce that we’re bringing our Archive Challenge model to the Smithsonian Folklife Festival, both on the National Mall and streaming live on YouTube! Our good friends and colleagues across the Mall have cooked up a great festival on the theme of “Youth and the Future of Culture.” As part of the festivities, we’ve engaged 8 groups of young musicians to learn pieces from the Archive of Folk Culture and play them on the festival’s main stage. Youth Archive Challenge sets will occur on July 2, 4, 5, and 7 and will feature Irish American tunes, Hungarian folk dance, Anglo American traditional ballads, American old-time music, Persian Classical music, multiethnic street songs, Bulgarian folk music, and Caribbean steel pan—with a special appearance by frequent Festival and Homegrown artist Christylez Bacon. Find links to the schedule and the streams, as well as information on the performers, in this post!
