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A man playing a guitar and singing to a close crowd of a dozen or so men and women

Chicago Blues and Jazz: A New Story Map on the Chicago Ethnic Arts Project Collection

Posted by: Michelle Stefano

In May, I wrote about a project that was keeping me busy, and providing a nice escape from the mental confines of my well-worn, Baltimore couch. While I cannot believe it is already August, I am happy to announce that the project is all set and ready to share! Chicago Blues and Jazz: Selections from …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

The Painful Birth of Blues and Jazz

Posted by: Stephanie Hall

One hundred years ago this month, February 26, 1917, what is generally acknowledged as the first recording of jazz was released. “Livery Stable Blues,” performed by the Original Dixieland Jass Band [1] was a best-selling record for Victor, but is a problematic “first” as it is a recording of a white band performing an African …

More about Francilia, Haitian “Queen of Song”

Posted by: Stephen Winick

The artist known by the single name “Francilia,” whom we featured in a recent post, was one of the most prolific singers Alan and Elizabeth Lomax recorded on their 1936-37 trip to Haiti. In all, they recorded 96 songs sung by Francilia, who was known in the local community as a rèn chante (queen of song). Her repertoire ranged from religious songs to secular love songs, and she performed solo and with groups. Following the repatriation of Lomax’s collection to Haiti, Haitian musicians were able to hear Francilia, and in 2019 the group Lakou Mizik recorded one of her songs in an Archive Challenge showcase sponsored by AFC. In this post, we continue to present a few of Francilia’s best songs, with links to her entire opus in their online home, along with the Archive Challenge video of Lakou Mizik.

Three young people listening to music with headphones.

Enjoy the Archive Challenge at the Smithsonian Folklife Festival–Onsite or Streaming

Posted by: Stephen Winick

The American Folklife Center is excited to announce that we’re bringing our Archive Challenge model to the Smithsonian Folklife Festival, both on the National Mall and streaming live on YouTube! Our good friends and colleagues across the Mall have cooked up a great festival on the theme of “Youth and the Future of Culture.” As part of the festivities, we’ve engaged 8 groups of young musicians to learn pieces from the Archive of Folk Culture and play them on the festival’s main stage. Youth Archive Challenge sets will occur on July 2, 4, 5, and 7 and will feature Irish American tunes, Hungarian folk dance, Anglo American traditional ballads, American old-time music, Persian Classical music, multiethnic street songs, Bulgarian folk music, and Caribbean steel pan—with a special appearance by frequent Festival and Homegrown artist Christylez Bacon. Find links to the schedule and the streams, as well as information on the performers, in this post!

Three people stand in a garden courtyard with musical instruments,

Ensemble Sangineto from Italy: Homegrown Plus

Posted by: Stephen Winick

The latest post in the Homegrown Plus series features Ensemble Sangineto, one of the most popular groups on the Italian folk scene. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections. The ensemble Sangineto is comprised of three talented singers and instrumentalists. Adriano and Caterina Sangineto are twins -- Adriano plays Celtic harp and Caterina plays bowed psaltery. Jacopo Ventura rounds out the trio on guitar. The group sings in three-part harmony, with Caterina's clear voice taking the lead. The Sanginetos are children of a world-renowned luthier who has spent years crafting instruments for some of the leading folk and early music performers, so their childhood was spent meeting and listening to such musicians as Derek Bell of the Chieftains and Alan Stivell, a foundational artist of the Breton music revival. Ventura is a conservatory trained classical guitarist who has branched out to play many of the stringed instruments common in European and Asian folk music. Their concert takes you on a trip through Italy via a traditional song from each region, with medieval, Celtic, jazz, and contemporary stylings among others, thrown in for good measure. In the interview, we learn about their lives and the world of Italian folk music.

Homegrown Plus: Blues with Phil Wiggins (1954-2024)

Posted by: Stephen Winick

The passing of harmonica virtuoso and blues master Phil Wiggins on May 7, 2024, was a sad event for the music world, and particularly for the American Folklife Center. Phil was one of the most celebrated musicians in the blues nationwide, and one of the most important roots musicians of any kind in the Washington area. For those reasons among others, AFC has featured Phil in concerts probably more often than any other musician during the last few decades. In this post, we'll bring together most of Phil's appearances that were shot on video, show you some never-before-seen photos of Phil, and pay tribute to a longtime friend of the Center.

Five men stand on stage. One sings into a microphone.

Caught My Eye and Ear: Calypso Photos and Recordings, 1946-1947

Posted by: Stephen Winick

This post looks at photos and recordings of some important calypso stars of the 1940s New York music scene, Macbeth the Great (Patrick MacDonald), Duke of Iron (Cecil Anderson) and Lord Invader (Rupert Grant). The 1947 photos are part of the William P. Gottlieb collection at the Library of Congress Music Division, while the recording of a full-length 1946 concert by the three performers is part of the American Folklife Center’s Alan Lomax Collection. These collections shed light on an interesting time in American music, before the emergence of rock and roll, when calypso and related Caribbean styles were vying for popularity with other folk music genres. In 1944, the Andrews Sisters had a major hit with Lord Invader's "Rum and Coca-Cola." In 1956, Harry Belafonte's "Calypso" became the first million-selling LP record. During the period between those milestones, it looked possible that calypso could emerge to be one of the leading styles of American pop music. Performers like Duke of Iron, Macbeth, and Lord Invader engaged in friendly competitions like the ones documented by Gottlieb and Lomax, using witty lyrics, catchy music, and personal charisma to fascinate audiences on stage and on record. Find the photos and a link to the concert audio in this blog post.