In February 2024, the American Folklife Center and the Health Services Division organized a panel discussion on longevity with experts in public health and the traditional arts. This post provides a webcast of the event and provides responses to audience questions that were unanswered, due to time constraints, during the event.
This is a guest blog post by folklife specialist Catherine Hiebert Kerst. The photos are by Stephen Winick for AFC. For anyone who missed the September, 2013 Cultural Heritage Archives: Networks, Innovation, & Collaboration Symposium hosted by the American Folklife Center, or anyone who wants to revisit it, the full webcast is online at the …
The exciting old time duo The Creek Rocks, the recipients of the 2024 Artists in Resonance Fellowship from the American Folklife Center at the Library of Congress, bring old songs back to the Library in shiny new arrangements! Accomplished singer and banjo player Cindy Woolf and veteran guitarist and singer Mark Bilyeu established the group in 2015. Much of their work has been interpreting the traditional music of the Ozarks region. The Artists in Resonance Fellowship provided Cindy and Mark the opportunity to immerse themselves in the field recordings of folklorist Sidney Robertson Cowell, who in December 1936 and January 1937 visited communities in the Missouri and Arkansas Ozarks. The Cowell recordings in the American Folklife Center’s archive serve as the source material for this concert, as well as The Creek Rocks' current album-length recording project. This blog presents the concert along with an interview in which we talk with them about their fellowship, their music, and their use of archival sources.
Welcome to the latest post in the Homegrown Plus series, featuring bluegrass quartet The Henhouse Prowlers. After two decades of touring and performing, the Henhouse Prowlers proudly look to the future, expressing their passion for music and humanity. Banjoist Ben Wright and upright bassist Jon Goldfine have been the heart of the band since its inception, while guitarist Chris Dollar and mandolinist Jake Howard (who joined 7 and 5 years ago respectively) bring fresh energy to the band's sound. The Prowlers approach music with a reverence for tradition coupled with willingness to explore beyond the ordinary. In their concert, they apply their trademark four-part harmonies to classic country and bluegrass, as well as modern Americana. In the interview we talk about their music, their history, and their activities with the U.S. State Department and their own nonprofit, Bluegrass Ambassadors, through which they have been able to take American music around the globe.
We're continuing the Homegrown Plus series with a classic from a few years ago with our good friend Dom Flemons, who performs and records as The American Songster. Back in 2020, Dom performed in the Homegrown at Home concert series, the pandemic-era version of Homegrown, in which artists submitted video concerts and we premiered them online. Dom Flemons, a Grammy award winner with the Carolina Chocolate Drops, a four-time Grammy nominee, and a two-time Emmy nominee, was by no means a stranger to AFC. We first met him when he came in to do research in the Archive in 2007, which means that for almost 20 years he's been accessing and interpreting field recordings from our archive. Because of this, his repertoire includes many songs and tunes he learned from recordings of master musicians in the American Folklife Center archives. Appropriately, he was also the first artist featured in the Center's inaugural Archive Challenge in 2015. Dom approached the concert as an Archive Challenge opportunity, so all the songs have a connection to the AFC archive. As usual for this series, you’ll find a concert video, an interview video, and a set of links to explore.
In 2020, singer-songwriter Crys Matthews participated in the American Folklife Center’s Library of Congress/Folk Alliance International Archive Challenge in New Orleans. The song she selected was “How I Long for Peace,” a song written by Peggy Seeger and sung by Seeger during her concert at the Library of Congress in 2007. Matthews adapted the song for the Archive Challenge, taking inspiration not only from Seeger, but from the spirituals and freedom songs she had heard in church growing up. The song was a highlight of the Archive Challenge that year, so much so that Matthews continued singing it. A few years later, she suggested a collaborative recording of the song to Rhiannon Giddens, a groundbreaking performer and another friend of AFC, who has received a Grammy Award, a Pulitzer Prize, and a MacArthur “Genius” Fellowship, among other accolades. Matthews and Giddens, along with the Resistance Revival Chorus, released their version in 2024. Mostly by coincidence, Peggy Seeger, who had never released an official recording of the song, revisited it in 2021. In this blog, we’ll present the story of this special archive challenge, with Crys Matthews’s Archive Challenge video embedded, and links to the Peggy Seeger version from 2007, the version with Rhiannon Giddens and the Resistance Revival Chorus, and Peggy Seeger’s 2021 interpretation.
The artist known by the single name “Francilia,” whom we featured in a recent post, was one of the most prolific singers Alan and Elizabeth Lomax recorded on their 1936-37 trip to Haiti. In all, they recorded 96 songs sung by Francilia, who was known in the local community as a rèn chante (queen of song). Her repertoire ranged from religious songs to secular love songs, and she performed solo and with groups. Following the repatriation of Lomax’s collection to Haiti, Haitian musicians were able to hear Francilia, and in 2019 the group Lakou Mizik recorded one of her songs in an Archive Challenge showcase sponsored by AFC. In this post, we continue to present a few of Francilia’s best songs, with links to her entire opus in their online home, along with the Archive Challenge video of Lakou Mizik.
AFC is happy to introduce Amanda Pascali, the 2025 Artist in Resonance. Pascali is an internationally acclaimed, bilingual singer/songwriter who blends folk/Americana influences with Mediterranean, Balkan, and Latin rhythms. Born in New York City and raised in Texas, she has performed internationally, and was named the 2021 Houston Chronicle "Musician of the Year." Earlier this year, she performed in our very own Archive Challenge Showcase at Folk Alliance International. Pascali is also a Fulbright Fellow who pioneered the first comprehensive project to translate and revitalize folk songs written in Sicilian— a UNESCO endangered language. She has amassed a viral following online, and has presented her work at conferences and universities in the US and abroad. For her Artists in Resonance project, she plans to draw on several AFC collections in Italian, Sicilian, and English, emphasizing the connections between American folk music and Italian traditional songs, as well as between historical struggles and contemporary issues. In this blog, we’ll introduce this unique artist and her project, embed her Archive Challenge video, and link you to more of her music.
The American Folklife Center is delighted to announce that 40 more Archive Challenge videos have gone online. In the Archive Challenge, the American Folklife Center helps accomplished musicians and groups select a song from the archive, put their own spin on it, and play it in a special showcase. This set of one-song videos thus features a diverse array of musicians interpreting materials from the American Folklife Center archive. The newly published set includes videos from the Folk Alliance International conferences in 2024 and 2025, along with a wayward set of 2020 videos that were delayed due to the COVID-19 pandemic. They include folk and blues performers from near and far—including the U.S., Canada, Scotland, France, Nigeria, Haiti, New Zealand, and Australia. Find a sampler of embedded videos, along with the field recordings that inspired them, in this blog post, along with links to each year's videos.
