Join us as we continue to explore Jack tales! Jack tales are adventure stories in which Jack is faced with various forms of adversity, and uses his wits and luck to win the day. Some of these stories feature magical elements such as silver swords and flying ships, but in others Jack uses only his brains, his hands, and his meager possessions. From the earliest Jack tale, a slightly bawdy medieval story, to the famous "Jack and the Beanstalk," and beyond to other tales, we'll look at old world and new world elements of the stories. Audio of three stories is embedded, with links to many more audio and text versions of traditional Jack tales.
An overview of "Jack tales" in the collections of the American Folklife Center. The phrase refers to a loose cycle of adventure stories featuring a young hero, most often named Jack, who makes his way in the world with cleverness and wit. This post introduces the genre and presents five tales told by four tellers: Samuel Harmon, Maud Long, Nora Hicks, and Ray Hicks, who all come from the same extended family.
The latest items to catch my ear in the Archive of Folk Culture are two reels of recordings of Eunice Yeatts McAlexander, a ballad singer who was recorded in 1978 as part of AFC's Blue Ridge Parkway Folklife Project. McAlexander, who passed away in 1990, had many wonderful versions of traditional ballads brought over to Appalachia from Britain, and she's a great source for unusual ballad texts. In addition to traditional ballads like “The Two Sisters,” “Little Massie Grove,” and “Lord Bateman,” she also sang nursery rhymes and lullabies for the collector, Wally Macnow. This blog post provides a little background on the singer and her songs, and embeds the digitized reels, photos, and detailed tape logs so you can listen and follow along.
In this post, we hear one last farewell shanty from the retired sailor Patrick Tayluer, who sang and told stories for the Archive of Folk Culture in 1942. The song tells the romantic tale of a sailor weighing anchor to leave for the port city of Rio Grande, Brazil. He says goodbye to his sweetheart and asks her to marry him when he returns. This is the final post in a series about the sea shanty singer Patrick Tayluer, and contains links to the entire series where you can find more songs and stories of the sea.
When William Main Doerflinger interviewed the retired sailor and shanty singer Patrick Tayluer in April, 1942, one of the topics he asked Tayluer about was shipwrecks. This is not surprising: ever since people took to the seas in ships, maritime folks have been fascinated and terrified by shipwrecks; shipwreck stories go back to the Middle Kingdom of Ancient Egypt. As it turned out, Tayluer had several stories about shipwrecks, which he told as first-person narratives, but which might not have happened exactly as he described. We’ll look at two of those stories in this post, exploring Tayluer's fascinating blend of fact and fiction.
Happy Holidays from the American Folklife Center! As in years past, we enlivened Library life last week with performances of a traditional Mummers play, updated for modern times. The title of this year’s play is "Keeping Cool and Dry for the Holidays: A Film Preservation Mumming," and it’s all about Film Preservation and the National Film Registry. It takes place at the Northpole Audio Visual Preservation Pavilion (NAVPP). St. George Bailey (It’s a Wonderful Life) is confronted by Connor MacLeod (Highlander series), who has a dastardly plan to get his terrible movies on the registry by undermining the preservation of all other films. The play includes Film Preservation Board members like Charlie Chaplin and Mary Pickford, some of our usual characters, and some surprises, including a reenactment of the “Let’s all go to the Lobby” song—which is actually on the real registry. Mummers’ plays are short 15-minute plays, traditionally performed in Britain, Ireland, North America, and the West Indies at holiday time, as the Mummers went from house to house and pub to pub, collecting food, drink, and small change as a reward for their entertainment. The American Folklife Center’s archive boasts one of the largest collections of English Mummers’ Play texts in the world, in its James Madison Carpenter collection. In this blog post you'll find the text of the play and lots of fun photos--plus a wealth of links to explore!
Most people know that Friday the 13th is considered an unlucky day. I had some fun researching the roots of this belief back in September, when the Library of Congress received a call from NPR requesting to interview me about Friday the 13th. Not surprisingly, I found facts and speculation, as well as intriguing new evidence. I also encountered what I often call metafolklore: folk stories about folk beliefs. In this post, we’ll look into what I found. From the Norse gods to the Knights Templar, from mathematics to religion, and from French plays to American horror movies, let's look at everyone's favorite day for bad luck.
Allow us to introduce Ozarks musicians Mark Bilyeu and Cindy Woolf (The Creek Rocks). The duo are our very first Artists in Resonance, and are here for a week of in-depth research. Mark and Cindy, who live in Springfield, Missouri, were chosen from among 22 applicants to the Center’s Artists in Resonance Fellowship. The fellowship is intended to support artists in creating new musical works inspired by and sourced from collection materials in the Center’s archives. During their fellowship, Cindy and Mark are focusing on the materials Sidney Robertson Cowell recorded in Missouri in 1936 and 1937 for the Resettlement Administration. According to the duo, the items in the collection from Springfield, despite probably being the earliest audio documents of folk music in and around that city, "seem to be virtually unknown to our local historical memory, save for but a very few figures immersed in the study of the Ozarks and its folklore." Their goal is to produce a full-length album of songs from the collection in new arrangements by The Creek Rocks. In this post you can read more about The Creek Rocks, find links to their work and to the other archival collections they’ve visited, and find out how to apply for future fellowships.
The latest episode of the Folklife Today podcast features award-winning singer-songwriter Thea Hopkins, a member of the Aquinnah Wampanoag Tribe of Martha’s Vineyard. Thea took the Archive Challenge, adapting songs from the American Folklife Center archive. On the first occasion she arranged and sang a Creek lullaby which, according to Creek elders, was created during the Trail of Tears. For her second challenge, Hopkins wrote new lyrics for the song “Red Wing,” which originally contained damaging stereotypes of Native Americans. The new lyrics pay homage to pioneering Native film actress Lilian St. Cyr, who was known as “Red Wing.” In the episode, Thea discusses her process and the meanings of the songs with AFC staff members Stephen Winick, Jennifer Cutting, and Meg Nicholas; Meg, a fellow Folklife Today blogger, is one of the American Folklife Center’s specialists in Native song, and affiliated with the Munsee-Delaware Nation in southwest Ontario. The episode features the field recordings of both songs, as well as Thea’s new versions, and a fiddle tune by Chippewa fiddler Mary Trotchie. The blog post features the link to the podcast, full audio of most of the source songs, as well as relevant links to Native American resources and Archive Challenge tools.
