The American Folklife Center proudly announces the availability of an online collection of documentary field research created through the Community Collections Grants (CCG) program. Unearthing the Lost Songs of Kohala is an initiative of the research team of Mark Boots Keahi aʻamau pio ʻole i ka poli o Pele Lupenui (project director, interviewer, and musician), Adam Palya (videographer), and Cheryl Lupenui (project manager). Their year-long efforts have resulted in this unique collection of video recordings, song sheets, and photographs that document generations-old “heirloom songs” of the Kohala region in the northwest portion of the island of Hawai’i.
Guest author Sue Rubenstein DeMasi is an academic librarian, professor emeritus at Suffolk County Community College in New York and dramatic writer and journalist. Professor DeMasi is the author of several publications on Henry Alsberg, Director of the New Deal era’s Federal Writers’ Project from 1935-39. Her essay for Folklife Today on Henry Alsberg’s early career expands on her talk at the 2023 American Folklife Center symposium marking the publication of the anthology, Rewriting America: New Essays on the Federal Writers’ Project (2022). The anthology and symposium offered a range of scholarly perspectives and retrospective analysis of the FWP on its 80th anniversary (see this blog post about the symposium); symposium webcasts are accessible here: https://guides.loc.gov/2023-federal-writers-project-symposium. Professor DeMasi's post touches on Alsberg's pre-FWP activities as a writer, book editor and theatrical producer, all of which were concerned with advancing the struggle for social justice and human rights.
This interview by AFC staff member, Guha Shankar, with Sarah Bryan, Executive Director of the cutural arts organization, the Association for Cultural Equity (ACE), highlights ACE's work in producing a range of programs and publications that raise public awareness of the richness and diversity of global expressive culture. ACE works in collaboration with the Library in several areas. particularly initiatives that center on the merican Folklife Center's seminal Alan Lomax collecton of world music, song and dance recordings.
In this guest blog, Dr. John Edgar Tidwell, Emeritus Professor of English at the University of Kansas, focuses on the critical importance of Sterling A. Brown's work as Editor on Negro Affairs for the Depression-era Federal Writers' Project, and his efforts in the struggle against racial inequality by "authentic[ating] representations of Blacks in the American Guide Series travel guides." The response to his work by authorities speaks volumes about the repressive political climate that sought to suppress any research and analysis of societal conflict and injustice such as Brown's. Dr. Tidwell presented a version of these remarks at an AFC symposium in June 2023 to mark the publication of the anthology, Rewriting America: New Essays on the Federal Writers’ Project (2022), which critically examines the FWP on its 80th anniversary. It is most appropriate to publish this blog today, since it was 45 years ago today, on November 16, 1978, that the Library of Congress celebrated the 50th anniversary of the Archive of Folk Song with a day-long symposium featuring, among others, Alan Lomax, song-collector and archivist for the Archive in its early years; David "Honeyboy" Edwards, master blues singer and later a Grammy recipient; and Sterling A. Brown, author, poet, and guiding figure in the FWP.
The American Folklife Center of the Library of Congress welcomes three new Presidential appointees to the Center’s Board of Trustees: Sara C. Bronin, Chair of the Advisory Council on Historic Preservation (ACHP), Admiral Rachel Leland Levine, Assistant Secretary of Health and Human Services, and Charles Sams III, Director of the National Park Service. Each appointee …
A June 16th Library symposium entitled Rewriting America: Reconsidering the Federal Writers' Project 80 Years Later will bring attention to the enduring legacy and importance of the archival materials and mansucripts produced by a small army of unemployed writers, historians, librarians, teachers, and others for the Federal Writers’ Project (FWP) of the 1930s. The symposium will illustrate how this Library collection continues to inform and inspire public outreach and interdisciplinary scholarship in fields ranging from public and oral history to journalism to ethnic studies and folklore. Dr. Alessandro Portelli will deliver the keynote address, which will be livestreamed. Learn more about the in-person symposium and how to attend, as well as how to attend the livestreamed keynote address, in this blog post.
Sixty-one years ago this month, on February 1, 1961, the “Friendship Nine” – a group of African American college students at Friendship Junior College - adopted an unorthodox tactic termed “Jail, No Bail” during their appearance on trespassing charges in a Rock Hill, South Carolina court. The group had been arrested the previous day for trying to get service at a segregated lunch counter in the city (in other words, they staged a “sit-in”). Rather than paying a fine for violating a public ordinance, as was the norm, they chose instead to serve out their sentence of thirty days of hard labor on a county chain gang. In commemoration of Black History Month, my post today (number 999 in AFC blog history!) reaches into the Civil Rights History Project collection to illuminate this facet of the civil rights era as recollected by veteran activists.
“In the case of American Negroes, their labor founded the nation and was prime cause of the industrial revolution and the capitalist system of the modern world: their slavery, revolt, escape, protest and emancipation is a central thread of our history: and without their music and laughter American art and literature would never have attained …
At the conclusion of his 2014 keynote address on guarantees enshrined in the Constitution but historically denied to African Americans, Bob Moses – freedom rights activist, educator, and MacArthur Genius award winner – summarized the state of the nation thus: “And we are a country that lurches. We lurch forward and backward, forward and backward. …
