At the beginning of July, the American Folklife Center (AFC) welcomed two of three interns that we’ll be hosting this summer, and the third will join us in the middle of the month. These interns will be working directly with AFC staff on projects that support our core activities around public programming and researcher support. In this post, learn about our summer interns and their areas of expertise.
This post premieres the film, El Motor: Coffee and the Heart of Puerto Rico, by filmmaker Russell Oliver who received a 2022 Community Collections Grant from the American Folklife Center, as part of the Library of Congress Of the People: Widening the Path initiative. The film captures the challenges of farming alongside moments of triumph, revealing how Puerto Rico’s coffee farmers preserve tradition while adapting for the future. This year's American Folklife Center's Homegrown Foodways Film Series celebrates Community Collections Grant recipients.
Welcome to the latest post in the Homegrown Plus series, featuring Susana Behar, one of the leading voices in Sephardic Song, with a hand-picked ensemble of accompanists. Just like other blogs in the series, this one includes a concert video, a video interview with Susana, and connections to Library of Congress collections. Susana Behar was born in Havana to a Cuban family with roots in the Sephardic community of Turkey. From an early age, she was immersed in the traditional music of her homeland as well as the evocative kantikas in Judeo-Spanish (Ladino) passed down by her grandparents. In 1965 she emigrated to Venezuela, where she started to explore and perform the music of her adoptive country as well as Latin American and Jewish folk music. She earned a degree in biology from the Universidad Central de Venezuela before moving to Miami, where she has lived and performed ever since. In the concert, she performs Sephardic, Cuban, and Venzuelan songs, joined by Michel Gonzalez on guitar, Adolfo Herrera on percussion, and Saul Vera on mandolin and bandola llana. In the interview, she tells us about her life in Cuba, the trauma of her family’s departure, and her life in Venezuela and the United States, with an emphasis on the intersection of her Latin American and Jewish heritage.
This post premieres the film, Bayous, Buddha, and Padaek: Southern Louisiana's Lao Foodways, by filmmakers Phanat Xanamane, Sami "Sai" Haggood, and Ba Bader who received a 2022 Community Collections Grant from the Center. The film is a captivating two-part documentary that delves into the rich culinary traditions of the Lao Buddhist immigrant community in Louisiana. This year's American Folklife Center's Homegrown Foodways Film Series celebrates Community Collections Grant recipients.
The latest post in the Homegrown Plus series features Ensemble Sangineto, one of the most popular groups on the Italian folk scene. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections. The ensemble Sangineto is comprised of three talented singers and instrumentalists. Adriano and Caterina Sangineto are twins -- Adriano plays Celtic harp and Caterina plays bowed psaltery. Jacopo Ventura rounds out the trio on guitar. The group sings in three-part harmony, with Caterina's clear voice taking the lead. The Sanginetos are children of a world-renowned luthier who has spent years crafting instruments for some of the leading folk and early music performers, so their childhood was spent meeting and listening to such musicians as Derek Bell of the Chieftains and Alan Stivell, a foundational artist of the Breton music revival. Ventura is a conservatory trained classical guitarist who has branched out to play many of the stringed instruments common in European and Asian folk music. Their concert takes you on a trip through Italy via a traditional song from each region, with medieval, Celtic, jazz, and contemporary stylings among others, thrown in for good measure.
In the interview, we learn about their lives and the world of Italian folk music.
The latest post in the Homegrown Plus series features Boots Lupenui and the Kohala Mountain Boys performing heritage songs of the Kohala region of the Big Island of Hawai’i. Led by Boots Lupenui, the Kohala Mountain Boys are committed to uncovering and preserving musical treasures that helped to define the moku of Kohala on Hawai'i Island. In Boots's words, "Old-time Kohala music is soulful, playful, poetic and fierce, the manifold voice of a vibrant and extraordinary people. We want to recover and share the heirloom songs currently known only to a few isolated and precious old voices, their words and tunes unsung for years. The ancient musical essence of our beloved and mystical Kohala may be lost in this generation. Reclaiming our heirloom songs strengthens our ancestral ties to our homeland. It is a source of pride that can be shared by all the families and all the people of Kohala, for generations to come." Lupenui and his team were the recipients of a Community Collections Grant to document songs written by Kohala residents which might otherwise be lost; the collection is online at the Library of Congress website. This concert provides another way to experience these songs. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections, as well as Boots's finished documentary film about documenting the heirloom songs of Kohala.
Welcome to our latest post in the Homegrown Plus series, featuring Louis Michot and Leyla McCalla, an outstanding duo performing traditional French-language music from Louisiana. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections. Louis Michot is a fiddle player and lead singer for the Grammy-award-winning Lost Bayou Ramblers. In addition to fiddle and vocals, Louis plays guitar, bass, ti-fer (triangle), and accordion--all the instruments of a typical Cajun band. Leyla McCalla was born in New York City to Haitian emigrants and activists. McCalla is a master of the cello, tenor banjo, and guitar, as well as a multilingual singer and songwriter. She is a founding member of Our Native Daughters and has appeared at the Library of Congress as a member of the Grammy-award-winning Black string band The Carolina Chocolate Drops. This event spotlights the New Orleans-based Nous Foundation and their Community Collections Grant project, "La Musique Nous Réunit: Documenting Louisiana French Music."
On March 12 and 13, 2026, the American Folklife Center at the Library of Congress will host a symposium titled, “From Lived Experience to Public Memory: Commemorating, Documenting, and Archiving Experiences of the COVID-19 Pandemic." The American Folklife Center is now accepting proposals for the symposium from scholars, artists, documentarians, archivists, and community-based practitioners working at the intersection of COVID-19 and cultural heritage. In this post, find more information about the symposium and how to submit a proposal.
In this post, Nicole Saylor, Director of the American Folklife Center (AFC), highlights the 2024 accomplishments of the AFC. The post demonstrates how 2024 was a busy and productive year for the American Folklife Center, as it continued to meet its mission to document and share the many expressions of human experience to inspire, revitalize, and perpetuate living cultural traditions.
