It's been a while since we posted a Homegrown Plus post! In this ongoing series, we present Homegrown concerts that also had accompanying oral history interviews, placing both videos together in an easy-to-find blog post. We're continuing the series with PIQSIQ, an Inuit style throat singing duo who characterize their style as being "galvanized by darkness and haunting northern beauty."
PIQSIQ is composed of sisters Tiffany Kuliktana Ayalik and Kayley Inuksuk Mackay. These talented performers come together to create a unique duo, performing ancient traditional songs along with new compositions. The two grew up in Yellowknife, Northwest Territories, with roots in Nunavut, Canada's northernmost territory. After years of hard work on their music, they have developed their own form, blending haunting melodies and otherworldly sounds. As PIQSIQ, they perform their songs with live improvisational looping, creating a dynamic audience experience that changes with every show. In this blog, you'll find their November 2020 concert and their February 2021 oral history interview.
Summer is over, and autumn is here. That means the Homegrown 2021 concert series is also drawing to a close. We put a selection of songs from the series on the Folklife Today podcast, with commentary from me, John Fenn, series producer Thea Austen, and AFC interns Kennedi Johnson and Camille Acosta. That way, if you haven't had a chance to watch the videos, you can download and listen wherever you like to hear your podcasts. As usual, there are links to the podcast itself, plus links to relevant blog posts, videos, and audio selections in this post.
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with one that fell through the cracks for a while: the 2018 Archive Challenge Sampler concert in the Coolidge Auditorium. Today is …
We're excited for this week’s Homegrown concert from Hubby Jenkins, who will be playing old-time songs and spirituals that are the root of American folk, country, blues, and gospel. The concert premieres at noon on August 11 on our Facebook page. After that, the concert will be available permanently at his concert page, where you can also read more about Hubby. For now, I’ll just say that he's an old-time and blues musician living in New York. He's a singer and multi-instrumentalist who plays guitars, banjos, mandolins, and bones. He has been a member of the Rhiannon Giddens Band, and before that the Grammy-winning Carolina Chocolate Drops. As a member of the Carolina Chocolate Drops, he played at the Library of Congress back in 2012. In this post, I’ll try to whet your appetites by talking about a few of the songs Hubby plays in the concert, and presenting related field recordings from our collections.
The American Folklife Center is pleased to announce Traditional Folklore in a Digital World, a two-part symposium on August 17 and 24 examining some of the ways folklore is spread, discussed, and transformed in the digital environment. The symposium will bring together leading podcasters and influential figures in social media who are helping define what folklore is in the 21st century. It will consist of two Zoom-based panels, one on podcasts and the other on social media. Each panel brings together four compelling leaders in online folklore, who will present a brief rundown of what they do, and then take questions from the audience. AFC staff, including me, will be there to moderate and direct the questions. The podcast panel features the hosts of Lore, Crimelore, The Folklore Podcast, and Jack Dappa Blues and the African American Folklorist. The Social Media panel features folks from Folklore Thursday, Folk Horror Revival, and the Carterhaugh School of Folklore and the Fantastic. We hope you'll join us for a fascinating discussion. Both panels are free and open to the public, but registration is required. (Don't worry, the links to register are in this post!)
The American Folklife Center is happy to announce a two-part series of hour-long online Zoom presentations with live Q&A featuring recent and current Archie Green Fellows discussing the impact of the pandemic on their fieldwork experiences. We're calling the event Occupational Folklife and Fieldwork in the Post-Pandemic World: Adaptation, Innovation, and the Future, Parts 1 & 2. Registration is required, but don't worry...you'll find the registration links down near the bottom of this post!
We’re very excited for this week’s Homegrown double-header of concerts from the duo of Jody Stecher and Kate Brislin, followed by Martin Carthy. You can read about the musicians over at the concert pages (Jody Stecher and Kate Brislin’s is at this link, and Martin Carthy’s at this link). For now, I’ll just say that …
By now, experienced readers know the deal with these Homegrown Plus posts: we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. We're continuing the series with the duo of Emma Björling and Petrus Johansson, who perform beautiful arrangements of Swedish and other Scandinavian folksongs. Emma Björling (vocals) is one of the foremost singers of Swedish folksongs performing today. She is a member of the bands Lyy and Skye Consort with Emma Björling, as well as vocal groups Kongero and Baravox. She has also toured extensively with the well-known Swedish folk band Ranarim. Petrus Johansson (guitar) started playing guitar and bass, mostly jazz and rock, when he was quite young. During his University studies he met Emma, and together they started playing Swedish traditional music. This led to a greater interest in the guitar as a folk music instrument, using it to provide bass lines. He is a trained guitar and bass teacher and has worked at Ingesund College of Music and several music schools. He also works as a freelance musician and has played with Mats Berglund, Svante Turesson and others.
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) This time, though, there’s a twist: Ann Yao, who performed in the 2020 series, also presented a Homegrown concert way back in 2011 with the Ann …
