We're excited to continue the Homegrown Plus Premiere series with a video concert by Deitsch, a traditional folk band from Germany. In 2023, Homegrown is presenting a combination of live concerts here at the Library of Congress and video premieres of prerecorded concerts from around the world. The prerecorded concerts premiere here on the blog, and videos of the live concerts will be placed here a few weeks after they happen. So subscribe to the blog for more great concerts all season! This is one of our prerecorded video concerts, shot on location in Germany and presented here for the first time. As is usual for the series, this blog post includes an embedded concert video, an interview video, and a set of related links to explore!
We're continuing the Homegrown Plus Premiere series with a video concert by the Hudaki Village Band from the Carpathian region of Ukraine. This is one of our prerecorded video concerts, shot on video in Ukraine and presented here for the first time! As is usual for the series, this blog post includes an embedded concert video, an interview video, and a set of related links to explore! The Hudaki Village Band is made up of nine master musicians from the Ukrainian Carpathians. In the Maramures region, a mountainous area of Southwest Ukraine on the border with Romania and Hungary, village musicians are called "hudaki." Archaic Slavic vocal traditions, Romanian melodies, Jewish rhythms and Romany temperament blend together in a local cross culture that has evolved over centuries of living side by side.
We're continuing the Homegrown Plus Premiere series with Ali Doğan Gönültas and Friends. This is one of our prerecorded video concerts, shot on video in Istanbul and presented here for the first time! As is usual for the series, this blog post includes an embedded concert video, an interview video, and a set of related links to explore! Ali Doğan Gönültas is a Kurdish musician born in Turkey. Ali's oral history and field research, which he began in 2007, led him to record and release the 2022 album “Kiğı," and to record this concert. Kiğı is a personal look at the 150-year musical process of the village of Kiğı, Ali's birthplace. It consists of works in the regional languages of Kurmancî, Kırdaskî, Armenian and Turkish, as well as Zazakî, Ali's mother tongue. Themes and styles such as govend (traditional Kurdish dance), laments, work songs, and prayer forms are conveyed with the modal characteristics of the region.
Back in February, we were delighted to host the first Homegrown concert of 2023 here at the Library of Congress. The concert was a solo performance by the banjo player, fiddler, and singer Jake Blount, an award-winning musician and a scholar of African American musical traditions. We presented Jake as part of Live! at the Library, the series featuring extended visiting hours and special programming every Thursday night. It was also part of the Black History Month celebrations at the Library of Congress and was presented in cooperation with the Folklore Society of Greater Washington. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer (in this case Jake Blount), plus links and connections to Library of Congress collections.
Welcome back to Homegrown Plus! We're continuing the series with Jody Stecher and Kate Brislin, a duo that has been at the forefront of old-time string music and other folk styles for decades. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performers, plus links and connections to Library of Congress collections. Kate Brislin is a specialist in singing with others, a peerless blender. She was a founding member of the all female Any Old Time String Band in the 1970s. Tone and rhythm are paramount in the way she plays five-string banjo and guitar. Jody Stecher has been a soloist, a band member, an amateur folklorist, a record producer, an unusually enabling teacher, and an individualistic multi-instrumentalist and singer. In recent years he has been dreaming and composing new songs and tunes that sound old.
We're continuing the Homegrown Plus series with Bennett Konesni, who performs work songs in the context of both farm work and maritime pursuits in his home state of Maine. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer, plus links and connections to Library of Congress collections. Bennett Konesni is a singer, farmer, musician and administrator, based where he grew up in midcoast Maine, and also at Sylvester Manor on Shelter Island, NY, where parts of his family have lived since 1652. He has been singing work songs while working since he was a teenager on schooners in Penobscot Bay. At Middlebury College, he wrote a thesis based on research into Zulu work song traditions done while studying abroad in South Africa and involving a workshop at the Middlebury College Farm in 2004—one of the first work song workshops on an American farm. After graduating, Bennett studied musical labor on three continents thanks to a Thomas J. Watson Fellowship: musical fishing in Ghana and Holland, singing and dancing farmers in Tanzania, and livestock songs in Mongolia and Switzerland. Since 2007, Bennett has been using work songs at Sylvester Manor Educational Farm.
Welcome back to Homegrown Plus! We're continuing the series with Tenzin Choegyal, a master musician who is part of the global Tibetan diaspora, based in Australia. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer, plus links and connections to Library of Congress collections. Tenzin Choegyal is a Tibetan/Australian artist, composer, activist, musical director and cultural ambassador. Born to a nomadic family in Tibet, he escaped the Chinese occupation with his family in the early 1970s and was raised in a Tibetan refugee community in Dharamsala, India. There, where His Holiness the Dalai Lama actively encourages his people to preserve their culture, Tenzin first began to explore his musical talents. He feels a particular connection to the music of the high Himalayan plateau and, as a son of Tibetan nomads, he remains dedicated to preserving the musical traditions of his ancestors. His collaborative albums include The Last Dalai Lama? with Philip Glass and the 2021 Grammy-nominated Songs from the Bardo with Laurie Anderson and Jesse Paris Smith, which is a moving interpretation of the religious text popularly known as the Tibetan Book of the Dead.
Welcome back to Homegrown Plus! We're continuing the series with Cambalache, who perform son jarocho music, one of the regional Mexican styles that has become very important to the Chicano community in California. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer, plus links and connections to Library of Congress collections. Cambalache, named for a Spanish word that means "exchange," is a Chicano-Jarocho group based in East Los Angeles. Founded in 2007 and led by Cesar Castro (sonero, maestro and luthier from Veracruz, Mexico), Cambalache plays and promotes traditional son jarocho through performance, music workshops, and educational demonstrations. Son jarocho comes from Veracruz, Mexico, on the gulf coast, a cultural region shaped by Indigenous, African, and Spanish culture. In the spirit of the fandango, a traditional celebration of music and dance, Cambalache engages its audience through participatory performances.
Welcome back to Homegrown Plus! We're continuing the series with Martin Carthy, one of the best known and most critically acclaimed musicians performing traditional songs in England. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer, plus links and connections to Library of Congress collections. Martin Carthy has been a leading figure in the revival of English folk music since the 1960s. He has been a member of many iconic formations, including the duo of Martin Carthy and Dave Swarbrick, the a cappella harmony group The Watersons, the pioneering electric folk-rock groups Steeleye Span and the Albion Band, the groundbreaking folk and brass combo Brass Monkey, and the acoustic folk groups Waterson: Carthy and Wood Wilson Carthy. He is also one of the most influential solo artists in folk music, with a guitar style emulated by practically all English folk guitarists since the 1970s. His versions of many traditional folksongs have become standards in the revival. He has also been influential in America: it was Martin who taught Paul Simon the traditional ballad “Scarborough Fair” in the 1960s. Martin has received every honor and accolade given for folk music in England, and has been awarded an MBE for services to Folk Music, roughly equivalent to receiving a National Heritage Fellowship in the United States.