The American Folklife Center announces the launch of the Chicago 1977: People, Places, and Cultures transcription campaign, as part of the Library of Congress By the People volunteer transcription initiative, and based on the Center's Chicago Ethnic Arts Project Collection from 1977.
Recently, the American Folklife Center received a generous donation from the estate of Peter Bartis, a former AFC staff member, to support our internship program. In this post, we express our appreciation to the Bartis family and detail the excellent work of our former interns, who were supported by previous financial contributions.
The American Folklife Center is pleased to announce the appointment of Jessica Looman, Administrator of the Wage and Hour Division (WHD), to the American Folklife Center Board of Trustees. President Biden appointed Looman for a term expiring June 1, 2030. Looman had previously served as the Principal Deputy Administrator of WHD since Wednesday, January 20, 2021. WHD enforces worker protections and provides outreach and education about federal labor laws including minimum wage, overtime, child labor, and family and medical leave.
In or about 1942, Alan Lomax sketched out a draft or proposal for a children's picture book, "The Story of the Mighty Blue Goose." The book, which Lomax planned to have fully illustrated by an artist, was to be based on "The Grey Goose," a song he had recorded for the archive alongside his father in 1934. Lomax credited the singer as the book’s main author: “Iron Head” Baker, a Texas prison inmate and trusty who sang about 60 songs for the Lomaxes. In 1936, Baker was paroled and spent three months collecting songs across the South with John A. Lomax, returning to prison in 1937. Like many of Alan Lomax’s projects, the book appears to have been interrupted by World War II and his departure from the Library of Congress. This is a shame, because Lomax was clearly onto something. "The Story of the Mighty Blue Goose" would have been inspirational on several levels. An homage to African American culture credited to a Black man and his white assistants, it would have been an inspiring children's book and a significant accomplishment in the legacies of the Lomaxes and of Iron Head Baker.
The American Folklife Center is pleased to announce the selection of three summer interns who will work on public programs, outreach activities and descriptive access work. One intern comes to us from the Utah State University folklore studies program, and two are supported by the AFC Internship Fund. Hanna Salmon is a PhD candidate in Ethnomusicology at the University of Texas at Austin. Her research examines how Palestinian storytellers foster affective atmospheres through their performances. Maggie Jones has just graduated magna cum laude from First Nations University of Canada’s Indigenous Languages Program with a Bachelor of Arts in Linguistics. They have an interest in Algonquian languages, Indigenous oral history, language revitalization, and journalism. Melanie Kimball is earning an MA in folklore studies at Utah State University. Her research interests include supernatural legends, folk beliefs, vernacular religion, and ethnomusicology. Her thesis investigates how people use music as an apotropaic and folk remedy for fear. Since 2017, the AFC Internship Fund has supported 12 paid internships. It was started by a generous donation from the late Peter Bartis, a former staff member. As the American Folklife Center approaches its 50th anniversary in 2026, we are committed to building this fund to help train a new generation of cultural workers.
In this guest blog, Dr. John Edgar Tidwell, Emeritus Professor of English at the University of Kansas, focuses on the critical importance of Sterling A. Brown's work as Editor on Negro Affairs for the Depression-era Federal Writers' Project, and his efforts in the struggle against racial inequality by "authenticat[ing] the representations of Blacks in the American Guide Series travel guides." The response to his work by authorities speaks volumes about the repressive political climate that sought to suppress any research and analysis of societal conflict and injustice such as Brown's. Dr. Tidwell presented a version of these remarks at an AFC symposium in June 2023 to mark the publication of the anthology, Rewriting America: New Essays on the Federal Writers’ Project (2022), which critically examines the FWP on its 80th anniversary. It is most appropriate to publish this blog today, since it was 45 years ago today, on November 16, 1978, that the Library of Congress celebrated the 50th anniversary of the Archive of Folk Song with a day-long symposium featuring, among others, Alan Lomax, song-collector and archivist for the Archive in its early years; David "Honeyboy" Edwards, master blues singer and later a Grammy recipient; and Sterling A. Brown, author, poet, and guiding figure in the FWP.
Heather Hodges was elected chair of the American Folklife Center Board of Trustees at the fall board meeting September 15, 2023. Lori Pourier, CEO of the First Peoples Fund, was elected vice chair. Heather replaces Amy Kitchener, Executive Director for the Alliance of California Traditional Arts, who served as Board chair from 2019-2023. Heather is the Director of Institutional Advancement at the Historic New Orleans Collection, where she raises awareness and finds resources to support the museum's work. Heather has served on the AFC Board since 2020, and her collaborations with AFC date back to 2017. We are thrilled to have her leading the Board in the lead-up to the 50th anniversary of AFC in 2026. She sat down with me recently to talk about her background and her vision for her new role.
The American Folklife Center of the Library of Congress welcomes a new Congressional appointee to the Center’s Board of Trustees: Heather Obernolte, Ph.D. Appointed to the Board by House Majority Leader Kevin McCarthy, she will serve a term that expires June 1, 2028. With a long history as a volunteer and community activism, she …