Top of page

Category: AFC History

A man playing a guitar and singing to a close crowd of a dozen or so men and women

From “Mule-een” to New Orleans: Just What Was Lead Belly Saying?

Posted by: Stephen Winick

Introduction The great American songster Lead Belly, first recorded by John A. and Alan Lomax for the Library of Congress in 1933, is a towering figure in global popular music. In some cases, his influence can be clouded, or hard to understand, because of his own enigmatic personality and because of the fragmentary nature of …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Nicholas Ray: frustrated folklorist

Posted by: John Fenn

This blog post about the filmmaker Nicholas Ray is part of a series called “Hidden Folklorists,” which examines the folklore work of surprising people, including people better known for other pursuits. Nicholas Ray (1911-1979)—iconoclastic filmmaker, writer, friend to trouble, and…folklorist? To those who know the name, Nicholas Ray is most readily recognized as the director who brought …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Billy Bragg, Skiffle Historian and Singer, Visits the Library July 21

Posted by: Stephen Winick

This blog post about the singer-songwriter Billy Bragg is part of a series called “Hidden Folklorists,” which examines the folklore work of surprising people, including people better known for other pursuits. Billy Bragg will be here for a book talk, July 21 at 7:00 pm in the Mumford Room of the James Madison Memorial Building. …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

AFC’s Occupational Folklife Project Goes Online with “Working the Port of Houston” Collection

Posted by: Stephen Winick

The following is a guest post by Nancy Groce, Senior Folklife Specialist and Director of the Occupational Folklife Project. After seven years of planning, research, fieldwork, and archiving, the American Folklife Center is delighted to announce that the first installment of its Occupational Folklife Project (OFP) launches today on the Library of Congress’s website with …

Two men seated, one playing guitar, the other playing fiddle.

“No One Can Ever Forget It”: Stavin’ Chain’s Performance of “Batson”

Posted by: Stephen Winick

Note: This is the second in a series of posts about the murder ballad “Batson.” This one discusses the performance recorded by John A. and Alan Lomax from a trio of musicians including Wilson Jones, a.k.a. Stavin’ Chain, in 1934. A little while back, I presented for the first time anywhere a version of the …

A man on a horse, accompanied by the caption "'General' Harrison at the Grand Canyon."

“Oh, Mama”: A Mother’s Love and the Murder Ballad “Batson”

Posted by: Stephen Winick

Note: This is the first in a series of posts about the murder ballad “Batson.” This one discusses previously unpublished versions of the song from manuscript collections at AFC. The ballad “Batson,” collected by John and Alan Lomax from Wilson Jones (whose nickname was “Stavin’ Chain”) and two accompanists, has long been a well-known and …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

South-Central Georgia Folklife Project Is Now Online

Posted by: Nicole Saylor

This is a guest post by AFC folklorist Ann Hoog, who has been the division coordinator for a mass digitization and access project to reformat and make accessible online a large body of American Folklife Center field projects from the mid-1970s through the mid-1990s. The American Folklife Center is pleased to announce a new online presentation of the South-Central …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Folklife and Fieldwork, Fourth Edition

Posted by: Stephen Winick

If you’ve been following the American Folklife Center’s website or our Facebook page (you can “like” it here to receive daily folklife inspiration!), you may have noticed an updated version of our classic fieldwork manual, Folklife & Fieldwork. For decades, this handy small book has offered guidance to people interested in documenting folklife who don’t …