In or about 1942, Alan Lomax sketched out a draft or proposal for a children's picture book, "The Story of the Mighty Blue Goose." The book, which Lomax planned to have fully illustrated by an artist, was to be based on "The Grey Goose," a song he had recorded for the archive alongside his father in 1934. Lomax credited the singer as the book’s main author: “Iron Head” Baker, a Texas prison inmate and trusty who sang about 60 songs for the Lomaxes. In 1936, Baker was paroled and spent three months collecting songs across the South with John A. Lomax, returning to prison in 1937. Like many of Alan Lomax’s projects, the book appears to have been interrupted by World War II and his departure from the Library of Congress. This is a shame, because Lomax was clearly onto something. "The Story of the Mighty Blue Goose" would have been inspirational on several levels. An homage to African American culture credited to a Black man and his white assistants, it would have been an inspiring children's book and a significant accomplishment in the legacies of the Lomaxes and of Iron Head Baker.
The passing of harmonica virtuoso and blues master Phil Wiggins on May 7, 2024, was a sad event for the music world, and particularly for the American Folklife Center. Phil was one of the most celebrated musicians in the blues nationwide, and one of the most important roots musicians of any kind in the Washington area. For those reasons among others, AFC has featured Phil in concerts probably more often than any other musician during the last few decades. In this post, we'll bring together most of Phil's appearances that were shot on video, show you some never-before-seen photos of Phil, and pay tribute to a longtime friend of the Center.
On April 10, 2024, Dr. Melissa Cooper (Associate Professor of History, Rutgers University-Newark) presented a fascinating lecture on Gullah Geechee cultural history at the Library of Congress, as part of the American Folklife Center's Benjamin A. Botkin Lecture Series. In this post, we highlight the video recording of Cooper's lecture and an oral history interview with Cooper, conducted by American Folklife Center staff members.
On April 12th, the American Folklife Center posted another Occupational Folklife Project (OFP) collection to the Library’s website. The collection features 15 in-depth interviews documenting the careers and work culture of African American nurses who are members of the Chi Eta Phi Sorority, Incorporated, a renowned historically Black national professional nursing organization founded in 1932. (We are excited to note this was the 50th OFP to be processed and made available to the public – but more on that in an upcoming blog.) To mark the occasion, AFC staff folklorist Nancy Groce interviewed the collection’s creator, Carmen Vaughn-Hewitt, a nurse, oral historian, and Chi Eta Phi member who was awarded a 2021 Archie Green Fellowship from AFC for this research project. Find the interview over at Folklife Today!
This post looks at photos and recordings of some important calypso stars of the 1940s New York music scene, Macbeth the Great (Patrick MacDonald), Duke of Iron (Cecil Anderson) and Lord Invader (Rupert Grant). The 1947 photos are part of the William P. Gottlieb collection at the Library of Congress Music Division, while the recording of a full-length 1946 concert by the three performers is part of the American Folklife Center’s Alan Lomax Collection. These collections shed light on an interesting time in American music, before the emergence of rock and roll, when calypso and related Caribbean styles were vying for popularity with other folk music genres. In 1944, the Andrews Sisters had a major hit with Lord Invader's "Rum and Coca-Cola." In 1956, Harry Belafonte's "Calypso" became the first million-selling LP record. During the period between those milestones, it looked possible that calypso could emerge to be one of the leading styles of American pop music. Performers like Duke of Iron, Macbeth, and Lord Invader engaged in friendly competitions like the ones documented by Gottlieb and Lomax, using witty lyrics, catchy music, and personal charisma to fascinate audiences on stage and on record. Find the photos and a link to the concert audio in this blog post.
We're continuing the Homegrown Plus series with an entertaining and educational concert and interview by Reverend Robert B. Jones, Sr., an inspirational musician and storyteller celebrating the history, humor, and power of American roots music. His deep love for traditional African American and American music is shared in live performances that interweave timeless stories with original and traditional songs. For more than thirty years Robert has entertained and educated audiences of all ages in schools, colleges, libraries, union halls, prisons, churches and civil rights organizations. He brought that inspiration here to the Library of Congress on February 15, 2024, as part of the Homegrown series as well as the series "Live! At the Library," and as part of our celebrations of Black History Month. As an ordained minister and a Baptist pastor, Rev. Jones has an unwavering faith the cultural importance of sacred and traditional American roots music. At the heart of his message is the belief that our cultural diversity is a story that we should celebrate, not just tolerate. This concert included blues, spirituals, gospel, rock, and even a touch of hip hop, delivered with voice, acoustic guitar and harmonica. Watch for the special sequence in which Rev. Jones is joined by his wife Sister Bernice Jones, his daughter Arnecia Jones, his son Robert Jones II (aka R.J.), and his daughter-in-law, R.J.'s wife, Sister Rosa Warner Jones. As usual for this series, you’ll find a concert video, an interview video, and a set of links to explore.
It's time for another Classic Edition of Homegrown Plus! Embedded in this blog post, you'll find two concert videos (from 2009 and 2013) with the Northern Kentucky Brotherhood Singers, a 2013 interview video, and a set of links to explore. The Northern Kentucky Brotherhood Singers, which since those days has shortened its name to the Brotherhood Singers, is a jubilee-style, a cappella, sacred gospel quartet from Covington, Kentucky. Over 30 years ago, Ric Jennings formed the quartet out of the renowned Ninth Street Baptist Church Men's Choir. Since the beginning, this community-based quartet has sung in churches, at special gospel programs, anniversaries, song services, and other sacred music events. In addition to continuing the traditional community role of the gospel quartet, the Brotherhood has expanded their reach to a global audience, performing both spiritual and secular songs. Enjoy their music in these classic videos!
Season 5 of America Works, a podcast from the American Folklife Center (AFC) celebrating the diversity, resilience, and creativity of American workers, is now available on loc.gov/podcasts. In this post, Nancy Groce, AFC Senior Folklife Specialist, explains what we will hear in Season 5, focused on African American workers.
The following is an excerpt of an interview with Tameshia Rudd-Ridge and Jourdan Brunson of the Dallas, Texas Community Collections Grant project, If Tenth Street Could Talk, as part of the Library of Congress Of the People blog series featuring awardee of the American Folklife Center's Community Collections Grant program.
