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Posted by: Stephen Winick
Earlier today, the great gospel quartet The Fairfield Four graced the stage of the Coolidge Auditorium, and I was fortunate enough to take photos of them. I thought I’d share a few of them here as “pics of the week.” A Cappella singing groups are often hard to photograph, because they stand in a straight …
Posted in: African American History, Uncategorized
Posted by: Stephen Winick
Introduction The great American songster Lead Belly, first recorded by John A. and Alan Lomax for the Library of Congress in 1933, is a towering figure in global popular music. In some cases, his influence can be clouded, or hard to understand, because of his own enigmatic personality and because of the fragmentary nature of …
Posted in: AFC History, African American History, African Americans, Folk Music, Folksong
Posted by: Stephen Winick
This blog post about the singer-songwriter Billy Bragg is part of a series called “Hidden Folklorists,” which examines the folklore work of surprising people, including people better known for other pursuits. Billy Bragg will be here for a book talk, July 21 at 7:00 pm in the Mumford Room of the James Madison Memorial Building. …
Posted in: AFC History, AFC Publications, African American History, African Americans, Alan Lomax, Benjamin A. Botkin, Benjamin Botkin Folklife Lecture Series, England, Folk Music, Folksong, Hidden Folklorists, Jazz, Lead Belly (Huddie Ledbetter), Popular Culture
Posted by: Stephen Winick
Note: This is the third in a series of posts about the murder ballad “Batson.” This one discusses the version of the ballad performed by Wilson Jones, aka “Stavin’ Chain,” in light of the real-life Batson case. In previous blog posts about the murder ballad “Batson,” I looked at early versions collected by Robert Winslow …
Posted in: African American History, African Americans, Alan Lomax, Blues, Folksong, John Lomax
Posted by: Stephen Winick
Note: This is the second in a series of posts about the murder ballad “Batson.” This one discusses the performance recorded by John A. and Alan Lomax from a trio of musicians including Wilson Jones, a.k.a. Stavin’ Chain, in 1934. A little while back, I presented for the first time anywhere a version of the …
Posted in: AFC History, African American History, African Americans, Alan Lomax, Blues, Folk Music, Folksong, Louisiana, Photographs
Posted by: Stephanie Hall
This is one of two articles, each focusing on one ethnographic recording of an African American song of World War I. To read the article about “Trench Blues” select here. African Americans left to serve in World War I, beginning one hundred years ago in June 1917, landing in France on June 25. They had …
Posted in: African American History, African Americans, Alan Lomax, Folksong, John Lomax, World War I
Posted by: Guha Shankar
This guest blog post comes to us courtesy of Catherine Turner, a high school senior working at the American Folklife Center this Spring on her service project for Park School in Baltimore, MD. Catherine is entering Brown University in Fall 2017, and has spent the last six weeks diving into the collections at the Library …
Posted in: African American Heritage Month, African American History, African American History Month, African Americans, Civil Rights, Civil Rights History Project, Freedom Summer 1964, Oral History, Women's History
Posted by: Guha Shankar
(This guest blog is provided courtesy of our old friend, David Cline, assistant professor of history and director of the graduate certificate in public history at Virginia Tech. Many Library patrons will be familiar with David, through the dozens of video interviews he has conducted for the Civil Rights History Project (CRHP) and also because …
Posted in: African American History, African Americans, Charles Sherrod, Civil Rights, Civil Rights History Project, Freedom Struggle, Glen Pearcy Collection, Oral History, Photographs, Shirley Sherrod, Southwest Georgia Project, Student Interracial Ministry
Posted by: Stephanie Hall
One hundred years ago this month, February 26, 1917, what is generally acknowledged as the first recording of jazz was released. “Livery Stable Blues,” performed by the Original Dixieland Jass Band [1] was a best-selling record for Victor, but is a problematic “first” as it is a recording of a white band performing an African …
Posted in: African American History, African Americans, Blues, Folk Music, Folksong, Jazz