In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with the The Fairfield Four, an African-American gospel quartet that has existed for more than 95 years. Best known for its performance in the …
Langston Hughes is mostly remembered selectively as a “folk” and jazz poet, or author of black vernacular blues and jazz poetry. While Hughes did dedicate himself to creating and reinterpreting these genres throughout his life and career, the core of his work is actually in collecting and experimenting with folklore across spaces and media. In Harlem and abroad, Hughes operated as what scholar Daphne Lamothe calls a “native ethnographer,” adapting his work during and beyond the Harlem Renaissance across genres to the discourses of anthropology, folklore, and sociology in a mode reminiscent of that of sociologist W.E.B. Du Bois, anthropologist Zora Neale Hurston, civil rights activist, songwriter, and author of the local history book Black Manhattan James Weldon Johnson, choreographer Katharine Dunham, and many others. Specifically, Hughes was an ethnographer of black vernacular culture, transcribing different kinds of linguistic and musical performance and reinterpreting those transcriptions in and as his own texts.
Way back when Folklife Today celebrated our 100th post, I highlighted one of Alan Lomax’s collecting triumphs, the disc numbered AFS 100. For this, our 500th post, I thought I’d do a similar story about AFS 500. This disc was also recorded by Alan Lomax, during a field trip to the Bahamas in 1935 which …
The following is a guest post by Lisa Gomez, a Library of Congress Junior Fellow working with the Veterans History Project (VHP) this summer. This summer, while serving as an LC Junior Fellow, I’ve had the honor and opportunity to explore the fascinating collections of photographs and oral histories archived by the Veterans History Project. …
Maybe you saw their photo on our homepage recently. Arms akimbo, the two men look at the camera straight on, wearing matching aviator sunglasses and khaki uniforms and with twin grins on their faces. A tent peeks out from behind them. Who are they? These two newcomers to our website were captured on film a …
It might have been her eyes. Perhaps it was that hint of a knowing smile. Or maybe it was the culmination of it all—torso leaning in, chin on fist, legs crossed, nails polished and hat tilted. Whatever it was, it grabbed my attention when I first saw the sepia-toned image several years ago. Its subject …
In 1942, Stewart Fulbright was a man on a mission: he desperately wanted to become a pilot in the Army Air Corps. Just shy of the weight requirement of 125 pounds, he gulped down half a dozen bananas on his way to his physical exam, only to find out that a lengthy written exam was …
When I was a child, in about 1960, I remember two of my father’s cousins getting into an animated discussion about Marian Anderson and the time they resigned from the Daughters of the American Revolution (DAR). Although I was not old enough to understand the event they were talking about, it made a strong impression. …
This blog post about the hidden spirituals sung by Becky Elzy and Alberta Bradford for E.A. McIlhenny is part of a series called “Hidden Folklorists,” which examines the folklore work of surprising people, including people better known for other pursuits. In preparing this post, I was greatly aided by Shane K. Bernard, the archivist at …