The following is a guest post by West Virginia State Folklorist Emily Hilliard, who directs the West Virginia Folklife Program, based at the West Virginia Humanities Council. AFC staff have been working with Emily, as well as Mike Costello and Amy Dawson of Lost Creek Farm, to co-produce the Homegrown Foodways in West Virginia program, …
We're excited for this week’s Homegrown concert from Hubby Jenkins, who will be playing old-time songs and spirituals that are the root of American folk, country, blues, and gospel. The concert premieres at noon on August 11 on our Facebook page. After that, the concert will be available permanently at his concert page, where you can also read more about Hubby. For now, I’ll just say that he's an old-time and blues musician living in New York. He's a singer and multi-instrumentalist who plays guitars, banjos, mandolins, and bones. He has been a member of the Rhiannon Giddens Band, and before that the Grammy-winning Carolina Chocolate Drops. As a member of the Carolina Chocolate Drops, he played at the Library of Congress back in 2012. In this post, I’ll try to whet your appetites by talking about a few of the songs Hubby plays in the concert, and presenting related field recordings from our collections.
Season 3, Episode 8 of the Folklife Today Podcast is ready for listening! Find it at the link from this post to the Library’s website, or on Stitcher, iTunes, or your usual podcatcher. In this episode John Fenn and I, along with guests Langston Collin Wilkins and Sophie Abramowitz, look at Langston Hughes as a “Hidden Folklorist.” As usual, I'll present links to the relevant blog posts and audio selections in this post!
Our latest podcast looks at three “Hidden Folklorists” from Louisiana with special guest Joshua Clegg Caffery from the Center for Louisiana Studies at the University of Louisiana Lafayette. The Hidden Folklorists are Becky Elzy and Aberta Bradford, two spiritual singers who had been born in slavery, but who years later sang over a hundred spirituals for collectors; and E.A. McIlhenny, the head of the Tabasco Sauce company, who first collected their spirituals into a book. We recount details of how a microfilm of unique, unpublished manuscript spirituals by Bradford and Elzy came to be part of the American Folklife Center archive, and how Bradford and Elzy came to be recorded on audio discs for the Library of Congress by Alan Lomax in 1934, with the resulting recordings also coming to the AFC Archive. It’s an amusing story in which the 19-year-old Alan Lomax is forced to leave his father, the seasoned collector John A. Lomax “by the side of the road” and drive 40 miles with the 73 year old Bradford to try to find the 82 year old Elzy so they can sing together for the Library’s recording machine. The episode also presents several of their spirituals, and ends with the very moving recording of two women who had been born in slavery singing “Free at last, free at last, thank God almighty, got free at last!”
At the conclusion of his 2014 keynote address on guarantees enshrined in the Constitution but historically denied to African Americans, Bob Moses – freedom rights activist, educator, and MacArthur Genius award winner – summarized the state of the nation thus: “And we are a country that lurches. We lurch forward and backward, forward and backward. …
Katherine Dunham is perhaps most famous for her influence on modern American dance with the introduction of African and Caribbean dance movement. That work began with ethnographic work in the Caribbean in 1936. Films made during her research have been put online by the Music Division of the Library of Congress in Selections from the …
On February 18, 2020, the Library of Congress hosted an unusual event, a celebration of African American dolls and puppets sponsored by the American Folklife Center’s Benjamin Botkin Lecture Series. Folklorist Camila Bryce-Laporte and fellow artist, Dr. Deborah Grayson, presented several artists from Maryland and the District of Columbia. The event also included a wonderful …
