We're continuing the Homegrown Plus series with a classic from a few years ago with our good friend Dom Flemons, who performs and records as The American Songster. Back in 2020, Dom performed in the Homegrown at Home concert series, the pandemic-era version of Homegrown, in which artists submitted video concerts and we premiered them online. Dom Flemons, a Grammy award winner with the Carolina Chocolate Drops, a four-time Grammy nominee, and a two-time Emmy nominee, was by no means a stranger to AFC. We first met him when he came in to do research in the Archive in 2007, which means that for almost 20 years he's been accessing and interpreting field recordings from our archive. Because of this, his repertoire includes many songs and tunes he learned from recordings of master musicians in the American Folklife Center archives. Appropriately, he was also the first artist featured in the Center's inaugural Archive Challenge in 2015. Dom approached the concert as an Archive Challenge opportunity, so all the songs have a connection to the AFC archive. As usual for this series, you’ll find a concert video, an interview video, and a set of links to explore.
This post presents several folktales from the Bahamas focusing on the adventures of the tricky, resourceful folktale hero Jack. We’ll see Jack escaping from the giants by charming them with his musical instrument and witness his courtship with the Devil’s daughter, Greenleaf. Like most Bahamian folktales, these stories contain complex wordplay and have songs embedded in the tales. The two tales here are very distinctively part of the Jack tale tradition, which must have been brought to the Bahamas with English settlers, but they also have African and other elements springing from their complex Caribbean roots. They were recorded by Alan Lomax and Mary Elizabeth Barnicle in 1935.
Welcome to our latest post in the Homegrown Plus series, featuring Louis Michot and Leyla McCalla, an outstanding duo performing traditional French-language music from Louisiana. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections. Louis Michot is a fiddle player and lead singer for the Grammy-award-winning Lost Bayou Ramblers. In addition to fiddle and vocals, Louis plays guitar, bass, ti-fer (triangle), and accordion--all the instruments of a typical Cajun band. Leyla McCalla was born in New York City to Haitian emigrants and activists. McCalla is a master of the cello, tenor banjo, and guitar, as well as a multilingual singer and songwriter. She is a founding member of Our Native Daughters and has appeared at the Library of Congress as a member of the Grammy-award-winning Black string band The Carolina Chocolate Drops. This event spotlights the New Orleans-based Nous Foundation and their Community Collections Grant project, "La Musique Nous Réunit: Documenting Louisiana French Music."
Guest author Sue Rubenstein DeMasi is an academic librarian, professor emeritus at Suffolk County Community College in New York and dramatic writer and journalist. Professor DeMasi is the author of several publications on Henry Alsberg, Director of the New Deal era’s Federal Writers’ Project from 1935-39. Her essay for Folklife Today on Henry Alsberg’s early career expands on her talk at the 2023 American Folklife Center symposium marking the publication of the anthology, Rewriting America: New Essays on the Federal Writers’ Project (2022). The anthology and symposium offered a range of scholarly perspectives and retrospective analysis of the FWP on its 80th anniversary (see this blog post about the symposium); symposium webcasts are accessible here: https://guides.loc.gov/2023-federal-writers-project-symposium. Professor DeMasi's post touches on Alsberg's pre-FWP activities as a writer, book editor and theatrical producer, all of which were concerned with advancing the struggle for social justice and human rights.
As we stand at the threshold of a new year, it’s a fitting time to reflect on the remarkable stories of those who came before us, especially the courageous women of the 6888th Central Postal Directory Battalion, highlighted in Tyler Perry’s recent Netflix film, The Six Triple Eight. Just like the beginning of a new …
