The following is a guest post by folklorist and blues scholar Barry Lee Pearson. It introduces the Sherman Holmes Project, which will play in the Library’s Homegrown Concert Series on Wednesday, April 15. More concert information is at this link! During the 1940s, job opportunities in Northern industrial centers attracted rural African Americans from throughout …
Montgomery in March, 1965, Reconsidered: The Perspective from the Other Side of the Lens This week’s blog is a companion piece to my previous post on the fiftieth anniversary of the Voting Rights Campaign in Alabama. Both blogs have provided a great opportunity for the AFC to share examples of Glen Pearcy’s singular photo documentation from the front …
Montgomery in March, 1965: Images from the front lines of the freedom struggle Selma has been much in public consciousness in recent months, owing to the release of the movie of the same name, the city’s historical place and symbolic importance in the (renewed) contention over voting rights in the nation and, of course, this …
Two weeks ago, Beth Domingo of AARP’s Life Reimagined Institute and journalist Vern Smith came to the American Folklife Center to talk with us about their work on the Voices of Civil Rights project (AFC 2005/015), sponsored by AARP and donated to the Library of Congress in 2005, and to hear about our recent work …
The following is a Q & A with one of our long-term researchers, Jeannette Estruth. KS: Hi Jeannette! Tell us a little about your background and why you came to the Library of Congress and the American Folklife Center. JE: Hi Kate, thanks so much for inviting me to take part in the American Folklife …
Folklorist John Wesley Work III lived in an extraordinary time in the development of African American music. He was in college as the Harlem Renaissance began. African American composers were developing traditional blues into elite compositions and the piano became an instrument for new styles such as jazz and boogie-woogie. Work, like his brother Julian, …
Although folksingers Pete Seeger, Guy Carawan, and Frank Hamilton registered copyright on “We Shall Overcome” in 1960, the song has a long and fascinating history with contributions from many activist-singers. We can trace it back to two separate songs from over a hundred years ago, the lyrics from “I’ll Overcome Some Day” written by the …
