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Category: African American History

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Community Collection Grants: R&B Urban Line Dancing on “Of the People”

Posted by: Stephen Winick

Below is an excerpt from a post on the Library’s Of the People blog highlighting artist, documentarian, and AFC Community Collections Grant recipient Karen Abdul-Malik, also known professionally as Queen Nur. It is part of an “Of the People blog” series featuring the 2022 awardees of the American Folklife Center’s Community Collections Grants program. Abdul-Malik’s project focuses …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

John Jackson Tells a Ghost Story for Halloween

Posted by: Stephen Winick

John Jackson (1924-2002) was a fantastic singer and guitarist; he was one of the most significant Black Appalachian musicians to begin his professional career in the 1960s. Less well known than his musical prowess was John Jackson's talent as a storyteller. Although he occasionally worked tales into his concert performances, he particularly loved stories about the supernatural, which he mostly told privately. Luckily, some of these ghost stories were recorded and the tapes are in the AFC archive. In this blog, you'll hear (and read) his version of a story about two preachers who attempt to spend the night in a haunted house. He called it "The Preachers and the Spooks."

In this photo of The Chosen Few, eight men sit in pews in a church.

Homegrown Plus Premiere: The Chosen Few’s a Cappella Gospel from Virginia

Posted by: Stephen Winick

We're continuing the Homegrown Plus Premiere series with The Chosen Few, a Virginia gospel group that stands firmly in the great tradition of unaccompanied religious singing by African American residents of the Tidewater region of the mid-Atlantic states. As is usual for the series, this blog post includes an embedded concert video, an interview video, and a set of related links to explore!

A man playing a guitar and singing to a close crowd of a dozen or so men and women

“A Central Thread of Our History”: African American Heritage Lasts Longer than a Month

Posted by: Guha Shankar

“In the case of American Negroes, their labor founded the nation and was prime cause of the industrial revolution and the capitalist system of the modern world:  their slavery, revolt, escape, protest and emancipation is a central thread of our history: and without their music and laughter American art and literature would never have attained …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Homegrown Plus: Samite

Posted by: Stephen Winick

In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both videos together in an easy-to-find blog post. In 2021, we were very proud to present Samite, a singer, multi-instrumentalist, and songwriter who was born in Uganda and has lived in upstate New York since the 1980s. Samite left Uganda as a political refugee in 1982. He spent the following few years in Kenya where he studied African traditional musical instruments and rhythms. He mastered the kalimba (thumb piano), marimba (wooden xylophone), litungu (seven-stringed Kenyan lyre) and various flutes, both traditional and western, and learned both traditional melodies and original compositions. He played with the popular African Heritage Band and the Bacchus Club Jazz Band, and played frequently at the Mount Kenya Safari Club and other leading Kenyan venues. He emigrated to the United States in 1987, and continues to play traditional and original music, as well to compose for film scores. He has released albums on the Shanachie, Triloka, Xenophile, and Windham Hill labels, as has been featured on compilations from Putumayo, Ellipsis Arts, and Narada. In the concert you'll hear songs and stories of Samite's African roots. In the interview you'll hear tales of the refugee camps, his time in Kenya, and his life in America, including the influence of Pete Seeger. Find both videos here in the blog!

A man plays the bones onstage

Homegrown Plus: Hubby Jenkins

Posted by: Stephen Winick

It's time for another great Homegrown Plus blog! As you may know by now, in this series, we present Homegrown concerts that also had accompanying oral history interviews, placing both videos together in an easy-to-find blog post. (Find the whole series here!) We're continuing the run with Hubby Jenkins, who is an old-time and blues musician living in New York. Hubby is a singer and multi-instrumentalist who plays guitars, banjos, mandolins, and bones. He has been a member of the Rhiannon Giddens Band, and before that the Grammy-winning Carolina Chocolate Drops. Please enjoy his videos in this blog post!

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Homegrown Plus: Sean Ardoin

Posted by: Stephen Winick

In the Homegrown Plus series, we present Homegrown concerts that also had accompanying interviews, placing both videos together in an easy-to-find blog post. We're continuing the series with Sean Ardoin, an American Creole musician and singer. He is grandson of Louisiana Creole music patriarch Alphonse "Bois Sec" Ardoin, son of Creole accordionist and bandleader Lawrence Black Ardoin, and older brother of hip-hop zydeco accordionist Chris Ardoin, with whom he co-led the Zydeco supergroup Double Clutchin'. The family traces its musical lineage to Bois Sec's older cousin and musical mentor, Amédé Ardoin, an early recording artist who is one of the most important figures in South Louisiana music. This blog has Sean's concert and interview embedded, plus a bonus concert of his group Creole United, and a link to his video "What Do You See."

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Homegrown Plus: Reggie Harris

Posted by: Stephen Winick

We're continuing the Homegrown Plus series with Reggie Harris, who is a singer, songwriter, and storyteller on a mission to educate, entertain, and inspire. Many of us here at AFC have admired Reggie for years. In particular, his tours and recordings educating people about the Underground Railroad through song and story have made an important contribution to countless Americans' understanding of African American history. We knew that Reggie included a lot of traditional songs in his repertoire, from labor songs to spirituals. So we thought it would be fun to ask Reggie to perform a set of mostly traditional songs, including a version of "Free at Last," inspired by a version in the AFC archive...which made his concert also an example of an artist taking the Archive Challenge. Watch his concert and interview in this blog post!

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Homegrown Foodways in West Virginia Film Series: “Foraging and Relations” Premieres August 18

Posted by: Michelle Stefano

The following is a guest post by West Virginia State Folklorist Emily Hilliard, who directs the West Virginia Folklife Program, based at the West Virginia Humanities Council. AFC staff have been working with Emily, as well as Mike Costello and Amy Dawson of Lost Creek Farm, to co-produce the Homegrown Foodways in West Virginia program, …