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Category: African American History

A man playing a guitar and singing to a close crowd of a dozen or so men and women

African Americans in the “Forgotten Theater” of World War II

Posted by: Megan Harris

The following is a guest post by Patricia Glaser, a Junior Fellow working with the Veterans History Project (VHP) this summer. They told us to be careful with our equipment and our clothing when we went to bed that night– be sure to fasten the mosquito netting. Not only to keep out the mosquitos but …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

“See the World” in the Veterans History Project Archive

Posted by: Megan Harris

Kimberly Windham and Patricia Glaser are Junior Fellows working for the Veterans History Project this summer. This guest blog post, written by Kim and based on research done by both Fellows, describes their experience exploring VHP collections. As Junior Fellows, our mandate was to discover and elevate the voices of African Americans in the Veterans History …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Which One Do You Love Most?

Posted by: Lisa Taylor

It’s Valentine’s Day. It seems everyone has love on their minds today—at least half of us, anyway. Last year, the National Retail Federation predicted that 54.7% of the United States adult population was planning to celebrate the holiday with their significant others, friends or pets to the tune of nearly $20 billion. Yes, billion with …

Four men sing into microphones

Homegrown Plus: The Fairfield Four

Posted by: Stephen Winick

In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with the The Fairfield Four, an African-American gospel quartet that has existed for more than 95 years. Best known for its performance in the …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Langston Hughes: Experimental Folklorist

Posted by: Stephen Winick

Langston Hughes is mostly remembered selectively as a “folk” and jazz poet, or author of black vernacular blues and jazz poetry. While Hughes did dedicate himself to creating and reinterpreting these genres throughout his life and career, the core of his work is actually in collecting and experimenting with folklore across spaces and media. In Harlem and abroad, Hughes operated as what scholar Daphne Lamothe calls a “native ethnographer,” adapting his work during and beyond the Harlem Renaissance across genres to the discourses of anthropology, folklore, and sociology in a mode reminiscent of that of sociologist W.E.B. Du Bois, anthropologist Zora Neale Hurston, civil rights activist, songwriter, and author of the local history book Black Manhattan James Weldon Johnson, choreographer Katharine Dunham, and many others. Specifically, Hughes was an ethnographer of black vernacular culture, transcribing different kinds of linguistic and musical performance and reinterpreting those transcriptions in and as his own texts.

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Peacekeeping and Humanitarian Missions within VHP’s Female Veterans Collections

Posted by: Megan Harris

The following is a guest post by Lisa Gomez, a Library of Congress Junior Fellow working with the Veterans History Project (VHP) this summer. This summer, while serving as an LC Junior Fellow, I’ve had the honor and opportunity to explore the fascinating collections of photographs and oral histories archived by the Veterans History Project. …