It's hard to believe, but this is the 1000th published post here at Folklife Today! To celebrate, we'll talk about one of the songs on the Archive's 1000th disc. It reveals a lot about the history of the archive, the methods of Alan Lomax, and the development of a well known cowboy song. It also introduces us to "Daca," a little-known folksinger active from the 1920s through the 1940s, whom we'll profile in a later post. This track is known as AFS 1000 B2, and is Alan Lomax, then Assistant-in-Charge of the archive, singing "Ten Thousand Goddam Cattle." In the blog you can hear the song, read about where Lomax learned it, find out about its roots in "The Virginian" by novelist Owen Wister, and examine the influence of Lomax's version on the song as it was later sung by cowboys.
The "Great Folk Scare" of the 1930s-1950s had few surnames more prominent than Guthrie, Lomax, or Seeger. They were multi-generational families who today continue to practice folk music and illuminate tradition bearers. The American Folklife Center holds archival collections documenting these families and so we have produced guides to aid research access. This blog post explains and introduces the new guides.
The American Folklife Center’s partnership with the Association for Cultural Equity dates from the Library’s acquisition of the Alan Lomax collection in 2004. The partnership focuses on creating access to and awareness of Lomax Family collections. The following is a conversation between Todd Harvey and Nathan Salsburg, respective curators from the American Folklife Center (AFC) …
"ETL" is a wonderful acronym, a non-word, a nickname for a phrase by which insiders describe a complex process. ETL in the context of digital collections at the Library of Congress is short for "extract, transform, and load." To a curator working with crowdsourced archival material. "ETL" in an email subject line signals the final step in a process by which an archival collection becomes full-text searchable, the gold standard for access to manuscript materials. In this post we look at the ways in which crowdsourced transcriptions add depth to our understanding of our rich fieldwork collections. We look at a variety of materials, including Alan Lomax's trips to collect traditional songs and music in Florida and Haiti. We show how Zora Neale Hurston's fieldwork informed her brilliant novel "Their Eyes Were Watching God," providing excerpts from fieldnotes that comport with descriptions in the novel.
This guest post comes from Todd Harvey, a Reference Specialist and the curator of Lomax collections at the American Folklife Center. To the Librarian of Congress March 21, 1940 Alan Lomax has in Washington with him today and tomorrow a folk singer for whose excellence he vouchers. This singer, Woodie Guthrie by name, is willing …
This is a guest blog post by Todd Harvey, a Reference Librarian and curator of the Lomax collections at the American Folklife Center. The American Folklife Center announces long-awaited digital access to a tranche of Lomax family correspondence. It follows similar treatment for the Bess Lomax Hawes collection and the Alan Lomax collection. Most of …
Although the Library of Congress is temporarily closed to the public and staff are, as possible, working from home, the work of the Library continues. It is heartening to see that one of the most labor intensive areas of work, putting archival collections online, continues in spite of the precautions against the COVID-19 pandemic. The …
Episode seventeen of the Folklife Today Podcast (or Season 2, Episode 5) is ready for listening! In the episode, John Fenn and Stephen Winick talk about a campaign called "The Man Who Recorded the World: On The Road with Alan Lomax." It's an effort to crowdsource transcriptions Alan Lomax's fascinating field notes. Through this campaign, you can help out the Library of Congress and music fans worldwide by increasing access to Lomax's field notes through transcribing and reviewing pages. Anyone can get involved at the link provided in the blog. The podcast and blog feature music from throughout Lomax's career as well as descriptions of his notes.
This guest post from Todd Harvey, AFC reference staff member and Alan Lomax collection curator, is part of a short series related to the Library’s crowdsource platform and the campaign we helped launch in September 2019 focused on the extensive holdings AFC has of Lomax manuscript materials. The American Folklife Center wishes a happy birthday …
